Archive for silent

Goregirl’s 20 Favourite Horror Films of the 1920s: #10 – #1

Posted in movies with tags , , , , , , , , , , , , , , , , , , on November 26, 2013 by goregirl

For My Favourite Horror Films of the 1920s: #20 – #11 click here.

#10 THE STUDENT OF PRAGUE (1926)
Directed By: Henrik Galeen
Germany

The Student of Prague is a German-made film directed by Henrik Galeen and starring Conrad Veidt based on the novel by Hanns Heinz Ewers. This is the first of three films on my top ten featuring the fabulous Conrad Veidt. The Student of Prague reunites Conrad Veidt and Werner Krauss who starred alongside one another in The Cabinet of Dr. Caligari in 1920. Conrad Veidt plays the titular student named Balduin who is a renowned party animal but is beginning to tire of his role. The partying is also draining Balduin of funds. He also begins to contemplate the notion of settling down and taking a wife. A mysterious stranger named Scapinelli played by Werner Krauss offers him a large loan which Balduin refuses. Before he parts ways with the stranger Balduin adds that if he really wanted to help, he would find him a rich woman to marry. Scapinelli begins working on the project immediately and we learn he has supernatural abilities. Scapinelli’s plan almost works as a young Countess meets Balduin but their introduction is cut short. Balduin can not stop thinking about the beautiful Countess. Meanwhile a flower vendor named Liduschka has a mad crush on Balduin which he does not reciprocate which does not prevent her from continually attempting to change his mind. Scapinelli calls upon Balduin once more with an even grander more tempting deal of a huge amount of gold in exchange for Balduin’s mirrored reflection. Balduin accepts this deal and furnishes himself a lovely new home and makes his move for the Countess. Needless to say, such an insidious deal does not come without drawbacks. Balduin’s own malcontent reflection threatens to destroy him completely and utterly. What a fantastic story! I loved every minute of this sorted fantastical tale. The Student of Prague is also a beautiful film visually. The camerawork seemed particularly competent among the films I watched from this era. The Student of Prague is lively paced and the story is utterly engaging. The mood and atmosphere in general is electric with mystery and suspense. The Student of Prague is superbly acted and while I certainly do have a significant crush on Mr. Veidt, his performance really is undeniably fantastic. The Student of Prague is a magnificently macabre and mysterious tale with fantastic visuals and great performances.

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#9 FAUST (1926)
Directed By: F.W. Murnau
Germany

Nosferatu was one of the first silent films I ever seen and I loved it so checking out director F. W. Murnau’s other work was a no brainer. Faust is a German-made film based on Goethe’s story. God and the Devil make a wager on Faust’s soul. The Devil will rule over all of humanity if he manages to corrupt Faust. During a terrible plague that has swept the town the devil appears to the frustrated Faust in the form of Mephisto, a pot-bellied middle-aged man. Faust makes a pact with the devil to help the dying people but this backfires and he is forced to seek the devil’s assistance once more. The Devil offers him youth which Faust readily accepts and as you might expect does not quite work out as he may have hoped. Frankly Faust was pretty easily tempted for a supposed good Christian but no matter as it makes for a helluva good watch! This film is yet another visual stunner. I am a little conflicted about the love conquers all message at the end but beyond that I have no complaints about this hypnotic, gorgeous well-acted masterpiece. Especially notable is Emil Jannings who plays Mephisto/The Devil; he plays the character with such panache that if Satan existed he would be proud. He perfectly embodies a mischievous little devil with his widow’s peak, goofy outfits and that naughty smirk. Such a fantastic character! The imagery of the Devil wrapping his massive black wings around an entire town is phenomenal; there are in fact numerous phenomenal scenes in Faust. The mood is eerie and intense with the right amount of lighter moments threaded through. The Score by Timothy Brock, performed by The Olympia Chamber Orchestra for the Kino DVD release of Faust is superb. Faust is a breath-taking, visual odyssey that is an absolute pleasure to behold. To read my full review click here.

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#8 THE PENALTY (1920)
Directed By: Wallace Worsley
U.S.A.

The Penalty is the first of three films featuring Lon Chaney to make this top ten list. It is official, I am a fan. The Penalty is an American-made film directed by Wallace Worsley adapted from the book by Gouverneur Morris who also wrote the screenplay for the film. Morris’s father was a statesman and founding father of the United States! IMDB lists The Penalty as crime, drama, horror and while I am not really seeing the horror I enjoyed this film so damn much that I am sneaking it in as a genre film anyway. The Penalty does an extraordinary job of creating special details for its central character Blizzard. Lon Chaney’s character Blizzard is an amputee. Every aspect of his environment has been created to accommodate his legless stature. Pegs used for climbing walls, door knobs lowered, ramps, ladders and a fireman’s pole are employed. Chaney goes to great lengths when he plays a character. In The Penalty he moves about with the natural ease of a man who has actually been without legs most of his life. Blizzard is “lord and master of the underworld” and he is a brutal sonofabitch who is not afraid to rough up the ladies or have someone snuffed out for the most insufficient of reasons. The Penalty focuses on Blizzard’s elaborate plans for revenge. Blizzard should not have been an amputee and he intends on making the doctor who performed the operation, his family and the entire city of San Francisco pay! Chaney’s Blizzard is deliciously rotten and nasty to the core. Anyone who appreciates a good crime drama and fantastic performances should check out Wallace Worsley’s The Penalty. “Fate chained me to evil – for that I must pay the penalty.” To read my full review click here.

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#7 THE HANDS OF ORLAC (1924)
Directed By: Robert Wiene
Germany

The Hands of Orlac is a German-made film directed by Robert Wiene who has two films in my top ten (the second is in the glory hole at #1) it also stars Conrad Veidt who makes three appearances in my top ten. The Hands of Orlac is based on a story by Maurice Renard. The Hands of Orlac is about a concert pianist who is in a terrible train accident where he is severely injured and loses the use of both of his hands. His wife Yvonne pleads with the surgeon to save her husband’s hands at any cost. The surgeon is unable to save the hands and opts to perform a transplant. The transplanted hands are those of a recently executed man named Vasseur which has lasting repercussions for the musician. Plagued by the notion that he has adapted the murderers affinity for killing he is tortured by their presence and begs the surgeon to remove them. The surgeon of course reassures Orlac that such a thing is impossible and actions are ruled by the heart and mind not the hands alone. Orlac’s inability to play the piano has caused the couples funds to quickly dwindle. Adding to his trauma is the murder of a loved one Orlac believes he may have committed and a blackmailing con artist. Orlac’s personal decent into hell is a joy to watch! Conrad Veidt is at the top of his game as Pianist Orlac! He is so deliciously animated and every move is perfect and haunting. As is the case with all the German silent films I watched for this feature the visuals are quite phenomenal; although expressionistic elements are a little more spare in this one than others from the period. The print I watched was not in the best condition unfortunately, but the elaborate visuals nonetheless shone through. I adored The Hands of Orlac and thought it was a tremendously fun and creepy little tale elevated hugely by a perfect performance from my man Conrad Veidt.

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#6 THE PHANTOM CARRIAGE (1921)
Directed By: Victor Sjöström
Sweden

The Phantom Carriage is a Swedish-made horror film directed by and starring Victor Sjöström based on the novel by Selma Lagerlöf. Director Victor Sjöström plays the central character David Holm an alcoholic bastard. Sitting around getting stinky with a couple of his buddies they speak about the legend of death’s carriage. Allegedly the last person to die in a year is tasked with being the driver of the carriage that picks souls up for the following year. A friend of the group Georges had died the previous year and just may be the carriage driver. Crazy legends! Meanwhile a woman’s dying wish is to see David the drunken lout before she passes on. The dying woman is a good-hearted volunteer for the Salvation Army. David is located and his presence requested but he refuses to go see the woman. A drunken fight breaks out and David is killed just before the stroke of Midnight. And wouldn’t you know it, the legend is true! Soon the carriage driver, who is indeed his friend Georges appears to pass on his duties. The film from here is basically a series of flashbacks of which we see the deterioration of David and his character. We learn of the breakdown of his marriage and how he came to know the salvation army volunteer. The imagery of the “phantom carriage” is genuinely chilling. The special effects in this film are amazing! Victor Sjöström does a hell of a job with the visuals in The Phantom Carriage; it is absolutely gorgeous. The color tint and remastered print I watched was practically without flaw. Mr. Sjöström also does a brilliant job in his central role as David. I hated David although when all is said and done he does find some redemption. Spell-binding, gorgeous and unique; The Phantom Carriage was a real stand out from the decade.

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#5 THE PHANTOM OF THE OPERA (1925)
Directed By: Rupert Julian
U.S.A.

The Phantom of the Opera is an American-made film adapted from the novel by Gaston Leroux. The film was directed by Rupert Julian but IMDB also lists Lon Chaney, Ernst Laemmle and Edward Sedgwick as “uncredited”. The film features Lon Chaney in the title role. This is the second of three films to make my top ten featuring the immensely talented Lon Chaney. Chaney’s makeup takes the cake! Bloody Hell! Look at that magnificent makeup! I said LOOK dammit! Really look! It almost brings a tear to my eye it is so goddamn beautiful! As if the man’s immense acting talents were not enough he actually did his own makeup! What the hell?! It takes my breath away! It really does! Has there ever been or will there ever be anyone quite like Lon Chaney in the world of acting? He died so tragically young it breaks my heart that the world of cinema lost someone so great so early! An immensely talented actor who went to incredible lengths for his work which is clearly illustrated with the three films on this very list! I had not seen The Phantom of the Opera in years but always loved it and that gorgeously grotesque makeup has always stayed with me. Those unfamiliar with this story, it is about a phantom that haunts a Paris opera house. The film opens with the opera house celebrating a new season and we meet Christine; the understudy to the prima donna. A sudden resignation of management due to the opera house ghost is laughed off, but not for long. The prima donna Carlotta receives a letter from the phantom demanding that she allow her understudy Christine to replace her. She of course refuses but the next evening she falls ill and Christine sings in her place. The phantom becomes completely entranced with Christine and begins speaking to her and eventually mesmerizes her and allows her to enter his trippy dream-like world. She becomes free to come and go from his world as she pleases. There is just one rule, she must never see what he looks like beneath the mask he wears. I am not sure how anyone who loves and admires cinema in general, horror or otherwise could not appreciate this grand production. The sets and costumes are lavish, the camera work and direction is skillfully executed, the effects are fantastic, the performances are pitch perfect and the atmosphere is eerie. A beautiful breath-taking affair that deserves all the praise heaped upon it.

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#4 HAXAN (1922)
Directed By: Benjamin Christensen
Sweden

Häxan, Witchcraft Through the Ages is a Swedish-made documentary about witchcraft directed by Benjamin Christensen. Christensen shows how superstition and fevered religious beliefs poison the mind and cause human beings to act irrationally. Christensen spent two years pouring over countless manuals and other documents to learn as much as possible about witches. Häxan, Witchcraft Through the Ages consists of a series of images in the form of illustrations, models and re-enactments. He highlights the witch hunts, the confessions and torture devices used by the monks, female hysteria, and how shoplifting and sleepwalking might have been interpreted as devil possession or bewitching; among other topics. Häxan is, “A presentation from a cultural and historical point of view in 7 chapters of moving pictures.” Benjamin Christensen wrote the script and produced this film between the years 1919 and 1921 with help from Johan Ankerstjerne who did the photography and Richard Louw who handled the art direction. Häxan was heavily edited or outright banned in just about every country in the world. Häxan, Witchcraft Through the Ages is actually quite brutal at times and shocking even by today’s standards. At one point they bleed an unbaptized baby and throw it in a pot! The costumes, sets, props, art work, performances; everything about Häxan, Witchcraft Through the Ages is first-rate, not to mention incredibly informative. Häxan is without a doubt one of the most interesting and visceral documentary/docudramas I have ever seen. Whether you seen the full version or the truncated version narrated by William Burroughs you are getting a one of a kind treat. To read my full review click here.

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#3 THE UNKNOWN (1927)
Directed By: Tod Browning
U.S.A.

The Unknown is an American-made film directed by Tod Browning and starring Lon Chaney. Lon Chaney is the star of three films on my top ten! In The Penalty he had no legs and in The Unknown he has no arms. I was going to review those two films back to back but after reading my chum Jo’s review over at The Last Drive In I decided I should direct you there instead. In The Unknown Chaney plays knife thrower Alonzo the Armless. He is in love with the carnival owner’s daughter Nanon who also performs as his assistant. Alonzo however is not what he appears to be and is in fact a mastermind criminal with a deadly smirk. Man, you just gotta love Lon Chaney’s smirk! The talented Lon Chaney learned how to smoke and play the guitar with his freaking feet! You gotta respect that! Its appealing carnival premise and an outstanding performance from Chaney make this film well worth a visit. I would be amiss if I did not mention Joan Crawford in an early role as Nanon who is absolutely lovely and charming and is really perfect in the role. It is an intriguing story, lightening paced that made me wish it hadn’t ended so soon. A fantastic finale too I might add. I highly recommend you check out Jo’s awesome extensive review of The Unknown here. I also did a tumblr post of Alonzo and Nanon images here.

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#2 NOSFERATU (1922)
Directed By: F.W. Murnau
Germany

Nosferatu is another German-made expressionist masterpiece and F.W. Murnau’s second film to make the top ten. The film focuses on Thomas Hutter tasked to travel deep into the mountains to meet with a Count Orlok who intends to purchase a residence in Wisburg. Strange and disturbing things occur while Hutter is a guest at the Count’s home and he becomes unwell and has difficulty making the long journey back home. His motivation is his beautiful wife Ellen who awaits his arrival but whose lovely neck has unfortunately caught the eye of the mysterious Count. There is some impressively immense and breath-taking scenery along the route Hutter takes from Wisburg to Orlok’s castle. The vastness and seclusion of his surroundings as he heads towards his destination, created an effective foreboding to the scenes that follow. Orlok’s castle is this amazing, massive, tomb-like structure. An ancient relic and the perfect nest for a vampire. The chilling scenes that take place on the ship Count Orlok travels to Wiburg in are especially effective. Nosferatu is a beautiful haunting film and Max Schreck as Count Orlok is nothing short of inspired. His captivating performance is a pleasure to behold. The hunch in his lanky frame, his bat-like ears and long pointy fingers cast a most intimidating shadow. Nosferatu’s bad-ass vampire, impressive visuals and eerie atmosphere make it a classic of the first order. To read my full review click here.

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#1 THE CABINET OF DR. CALIGARI (1920)
Directed By: Robert Wiene
Germany

The Cabinet of Dr. Caligari is a German-made expressionist masterpiece directed by Robert Wiene; Mr. Wiene’s second film to make the top ten. It is one of the better known films from the genre and rightfully so; it deserves every bit of praise that is oust upon it. I absolutely loved this film. I watched it twice just for the joy of it and had to scroll through it three times to do screen caps for slideshows. I would love to see this on the big screen and I think Zenzile, whose music I have featured this month would be the perfect live accompaniment. Every single gorgeous hand-painted set is extremely elaborate and immensely impressive, every beautiful minute of The Cabinet of Dr. Caligari is perfect. It is genuinely creepy and features a top-notch cast including Lil Dagover (Jane), Werner Krauss (Dr. Caligari) and the great Conrad Veidt (Cesare the somnambulist). It tells the tale of a man named Francis who attends Dr. Caligari’s act at a carnival passing through town with his friend Alan. Dr. Caligari presents Cesare the somnambulist who has been asleep for his entire twenty-three years on earth. He awakes the somnambulist who is able to predict people’s future. He predicts Alan will die that very night and the prediction comes true. Francis and his fiancée Jane become entwined in Dr. Caligari’s eerie world. The Cabinet of Dr. Caligari is “A film in six acts written by Carl Mayer and Hans Janowitz.” The Cabinet of Dr. Caligari is not only visual eye candy it is also well written and well-performed. It has a perfect eerie atmosphere and a creepy vibe with an intriguing premise that keeps you mesmerized. I adore this film, and like every film on this top ten it will get repeat viewings in the years to come. To read my full review click here.

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Goregirl’s Dungeon on YouTube: Needle Io Jeswa & Otto Von Schirach – Nosferatu

Posted in Germany, movies with tags , , , , , , , , , , on November 20, 2013 by goregirl

Needle Io Jeswa & Otto Von Schirach’s take on the score for NOSFERATU; crazy electronica piece that will punch you right in your third eye.

THE GOLEM: How He Came into the World (1920) – The Dungeon Review!

Posted in Germany, horror, movies with tags , , , , , , , , , , on November 11, 2013 by goregirl

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Germany was a mighty power in horror filmmaking during the silent period. Germany dominated the industry and for good reason; the highly stylized expressionistic visuals were nothing short of extraordinary. The Golem is another extremely impressive visual extravaganza with breathtaking imagery that anyone with eyeballs should be able to appreciate on some level. The sets were all designed by architect Hans Poelzig and the amazing cinematographer was handled by Karl Freund whose impressive 150 deep resume includes The Last Laugh, Metropolis, Dracula and Murders in the Rue Morgue. Not every gorgeous visceral German silent horror film hits the sweet spot however. While The Golem easily matches The Cabinet of Dr. Caligari visually speaking its story did not sate me in the same way. The Golem’s story is not unappealing by any means and it did keep me engaged throughout. It just did not leave me entirely satisfied. Religious oriented folklore does not hold much appeal for me; unless of course it is Satan-inspired shenanigans. The Golem is a creature from Jewish folklore. In the case of Paul Wegener and Carl Boese’s film The Golem is a creature created from clay by a Rabbi to save the people of a small village.

The Golem was actually Paul Wegener’s third film to feature the “Golem” character. The first attempt at The Golem in 1915 left Wegener unsatisfied due to compromises he was forced to make during production. The second was a comedic short made in 1917 called The Golem and The Dancing Girl. The Golem is also a bit of a comical character in Wegener’s 1920 update. He is large but I would hardly call him intimidating or remotely frightening. Despite The Golem’s tagline “The 1920 Horror Masterpiece” I would not qualify this film as horror at all. I would call this a fable heavy on fantasy. I don’t think this movie would frighten a five-year old. You will get no argument from me anymore about whether older films will frighten today’s retardedly overstimulated audiences. I have opened my mind and heart to films of old and I think there is plenty to creep and frighten if you are up for the experience. Especially silent films which can be spectacularly eerie! The Golem is just not one of them. The Golem is certainly not without its assets and is worth watching simply for the astounding visuals. They will blow your mind! Again I watched a color tint version in favor of black and white although in this case it was the only print available through the library. Jumping Jehovah this film is a stunner! Although I wasn’t in love with the story, it kept me engaged and I would certainly recommend checking out The Golem.

The Golem: How he Came into the World.
Pictures based on Events in an old Chronicle.
A Film in Five Chapters…

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“The stars reveal to the revered Rabbi Löw, that a terrible misfortune will befall the Jewish community.”

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Rabbi Löw’s daughter Miriam.

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Rabbi Jehuda.

“I must speak with Rabbi Jehuda – our people are facing an impending calamity.”

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“Venus is entering the Libran constellation, and the time now favours the invocation. I must wrest the crucial life-giving word from the dreaded spirit Astaroth, that will bring The Golem to life and save my people.”

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Turns out there might have been something to the whole stars revealing doom thing. Knight Florian is sent by Emperor Luhois to deliver an edict in the form of a decree against the Jews.

“Knight Florian – you must deliver our edict to the Jewish quarter immediately.”

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Sassy Miriam flirts voraciously with Knight Florian.

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The Golem (top). Rabbi Löw conspires with his servant. “Can you keep a secret from all mankind?”

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Meanwhile…copping a feel.

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Rabbi Löw almost strangles Miriam to death for being a skank. What the hell? Seriously! He strangles his daughter in this scene!

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Necro Manci! Aka Necromancy. Aka raising the dead! The Golem is ready to join the world! “The hour is almost upon us. The alignment of the stars now favours the invocation of the spell.”

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“Astaroth! Astaroth appear! Appear! Name the word! On behalf of the Lord of the Spirits – name the word!” Okay, I said in my intro there are no spooky scenes but this scene was actually kinda creepy.

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The Golem awakes! The Golem runs his first errand; picking up some groceries for Rabbi Löw. If I had a Golem I’d make him do my laundry and carry me around on his shoulders everywhere I wanted to go. I wish I had a Golem.

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“When your father arrives at the castle I will steal away from the festival – I have bribed the gatekeeper – place a lamp in the window as a sign that you are waiting for me.” Knight Florian…you sly dog you! Boom chicka-chicka boom.

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“In memory of your services, we will grant you an audience. Come to the Rose Festival at the castle and amuse us again with your magic arts.”

Rabbi Löw gets the opportunity to speak to Emperor Luhois about the whole decree against the Jews business. The Rabbi brings Golem along for a little muscle. Nah. The Rabbi actually brings Golem along to entertain the bastards. I think it would have been awesome had Golem walked into that snotty ass Rose Festival and knocked some blocks off.

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“It is a fact! The watchman told me himself. Revered Rabbi Löw has returned from the Emperor, bearing the pardon. Rejoice ye, rejoice ye!”

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“Golem, your task is completed. Once again become lifeless clay, so that we may avoid any vengeance sought by the dark powers.” Golem’s mad face gave me a bit of a giggle.

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Knight Florian needs an escape route so he can leave undetected.

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“A strange man is in her room. Drive him away!”

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A Striking and iconic image from The Golem: How He Came Into the World.

Dungeon Rating: 3.5/5

Directed By: Carl Boese & Paul Wegener

Starring: Paul Wegener, Albert Steinrück, Ernst Deutsch, Lyda Salmonova, Ernst Deutsch, Hans Stürm, Max Kronert, Otto Gebühr, Dore Paetzold

THE CABINET OF DR. CALIGARI (1920) – The Dungeon Review!

Posted in Germany, horror, movies with tags , , , , , , , , , , , , on November 6, 2013 by goregirl

The Cabinet of Dr. Caligari Banner

According to Wikipedia Expressionism is: A modernist movement, initially in poetry and painting, originating in Germany at the beginning of the 20th century. Its typical trait is to present the world solely from a subjective perspective, distorting it radically for emotional effect in order to evoke moods or ideas. Expressionist artists sought to express meaning or emotional experience rather than physical reality. Expressionism was developed as an avant-garde style before the First World War. It remained popular during the Weimar Republic, particularly in Berlin. The style extended to a wide range of the arts, including expressionist architecture, painting, literature, theatre, dance, film and music.

According to Guggenheim Museum (online) Expressionism is: Primarily Germany, and Austria, first decade of 20th century. The very elastic concept of Expressionism refers to art that emphasizes the extreme expressive properties of pictorial form in order to explore subjective emotions and inner psychological truths.

According to Goregirl Expressionism is: A mostly German thing as far as I know. Used in some very freaking cool German silent movies the bestest and shiningest example of which is Robert Wiene’s The Cabinet of Dr. Caligari. The sets all look artificial and everything is severely angled and exaggerated in size. Every single gorgeous hand-painted set is extremely elaborate and immensely impressive. I dreamt of walking through a Dr. Caligari forest to a Dr. Caligari carnival every night for the past several nights. I’ve dreamt of being chased by letters of the alphabet and being kidnapped by a handsome somnambulist who wears a lot of eyeliner. I can not expressionism myself more clearly when I tell you anyone who loves and appreciates art and all things wonderful, strange and unique must absolutely positively visit Robert Wiene’s amazing The Cabinet of Dr. Caligari. Viva la Expressionsim!

Writers Hans Janowitz and Carl Mayer started the ball rolling with The Cabinet of Dr. Caligari’s concept. The two were excited by this still very new medium called filmmaking. An endeavor that would bring together artists of all kinds; painters, actors, writers and photographers. The two men admired the work of Paul Wegener (The Student of Prague, Der Golem) and decided to begin work on a horror tale. The men drew on their experiences as all good writers should. Janowitz and Mayer regularly visited a local fair and were inspired by the sideshows; a key part of The Cabinet of Dr. Caligari’s plot. The film’s visuals were put in the very capable hands of designer Hermann Warm and painters Walter Reimann and Walter Röhrig. Fritz Lang was the first director approached but was committed to another project. Robert Wiene (whose film The Hands of Orloc is the next film in my queue to watch) was brought in to direct and the rest is history. I watched both a black and white and color tinted version of The Cabinet of Dr. Caligari but I went with the pics from the color tinted version. I thought the images were sharper in the black and white version but I am a little bit in love with color tint at the moment so I decided to go with that print.

“The following print of The Cabinet of Dr. Caligari (with the original color tinting and toning) was reconstructed by the Bundesarchiv – Filmarchiv of Germany.”

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A small German village called Holstenwall is the setting for our strange tale. The Cabinet of Dr. Caligari is “A film in six acts written by Carl Mayer and Hans Janowitz.” The Cabinet of Dr. Caligari is not only visual eye candy it is also well written and well-performed. It has a perfect eerie atmosphere and a creepy vibe with an intriguing premise that keeps you mesmerized. The performances are all excellent but the iconic role of Cesare the Somnambulist played by the immensely talented Conrad Veidt is particularly memorable.

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Francis relays a story to a companion after a dazed woman walks by. The dazed woman is Jane; Francis’ fiancée. “What she and I have lived through is stranger still than what you have lived through.”

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This is Francis’ best friend Alan. Alan and himself both have their eye on Jane. The two decide to visit a carnival travelling through town. “Special edition fair in Holstenwall for the first time! Entertainments of every variety.”

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“Step Rrrrright Up! Presenting here for the first time Cesare the Somnambulist! The miraculous Cesare twenty-three years old, he has slept for twenty-three years continuously; day and night. Cesare the Somnambulist will answer all your questions. Cesare knows every secret. Cesare knows the past and sees the future. Judge for yourselves. Don’t hold back! Ask Away!”

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Alan cannot resist asking Cesare how long he shall live. Cesare tells Alan that he will die at dawn.

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Alan and Francis pause to read a post on the wall “Murder in Holstenwall 1000 Mark reward.”

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The somnambulist’s prophecy comes true and Alan is murdered at dawn.

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Francis goes to the police. “I won’t rest until I get to the bottom of these dreadful deeds!”

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Francis tells Jane of Alan’s death.

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“Extra! Extra! Holstenwall mystery solved; two-time murderer caught in third attempt.

“I had nothing to do with the two murders, so help me god.”

Indeed this gentleman has been wrongly accused.

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Jane meets Dr. Caligari and Cesare. Dr. Caligari orders the sleeping Cesare to murder nosy Jane but her beauty prevents Cesare from ending her life. Cesare attempts to kidnap her but gets exhausted from the chase.

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Back in the safety of her home she tells Francis it was Cesare who tried to abduct her. “It couldn’t be Cesare! He was asleep at the time. I’ve watched him for hours.”

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Dr. Caligari.

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Francis goes to the Insane Asylum and asks the staff if they have a patient called Caligari. They recommend that Francis speak to the director personally.

“He, himself and none other than Caligari!”

“While the director now placed under observation is sleeping in his villa…” They take the opportunity to snoop through the director/Dr. Caligari’s office and discover a book on somnambulists as well as the doctor’s diary.

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“Director, unmask yourself, you are Dr. Caligari!”

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The film ends with a great twist although it was not the ending that writers Hans Janowitz and Carl Mayer originally wrote for the film. Apparently the producers wanted a less grim ending and suggested the ending that was actually used; which I will not divulge for those who may not have seen it. I have seen close to thirty silent horror films at this point in my life and The Cabinet of Dr. Caligari is absolutely one of the best and most unique amoung them. The Cabinet of Dr. Caligari deserves heaps of praise; it is a hypnotic, creepy and visually spectacular masterpiece.

Dungeon Rating: 5/5

Directed By: Robert Wiene

Starring: Werner Krauss, Conrad Veidt, Friedrich Feher, Lil Dagover, Hans Heinrich von Twardowski, Rudolf Lettinger

Goregirl’s Dungeon on YouTube: Zenzile – Cesare (The Cabinet of Dr. Caligari)

Posted in Germany, horror, movies with tags , , , , , , , , , on November 5, 2013 by goregirl

Another groovy track from Zenzile! Zenzile’s take on the score for Robert Wiene’s 1920 film The Cabinet of Dr. Caligari with images from Mr. Wiene’s film. Also check out my two nifty tumblr posts dedicated to Cesare here and here. Tomorrow I will have a review for Robert Wiene’s gorgeous film!