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Goregirl’s TOP 10 Favourite Horror Films From 1993

Posted in horror, movies with tags , , , , , , , , , , , , , , , , , , , , , , , , , on January 27, 2013 by goregirl

It was my intention to post a top ten list each week during this 90s feature and I have already gone and dropped the ball! I had to dig pretty deep to come up with ten films for 1993. I would have liked to have gotten my hands on a copy of The Wicked City; a Hong Kong made Sci-Fi/horror, but no dice. I did not give any film from 1993 a perfect score. The top two are films I rated 4.5/5, films three and four were rated 4/5, five through seven were rated 3.5/5 and eight through ten are films I rated 3/5. I also gave the following four films a 3/5; Skinner, Jack Be Nimble, The Good Son and Bloodstone: Subspecies II.

*Only feature-length films will be included on the top ten lists for the decade; I do not include shorts, documentaries or made for television movies.

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#10 ED AND HIS DEAD MOTHER
Directed By: Jonathan Wacks

Ed and his Dead Mother is a horror-comedy of the PG variety. Ed is a serious mama’s boy who is awkward, likable and completely dedicated to the family hardware store. Ed would do anything to get his mother back, including making a deal with the Happy People Corporation to resurrect her. Ed lives with his Uncle Benny who is always telling Ed he needs to move on with his life. Imagine Uncle Benny’s surprise one morning when he finds his sister in the refrigerator peeling potatoes! Ned Beatty is great and gets the film’s better lines. I also enjoyed Gary Farmer who plays Big Lar, one of Ed’s hardware store employees. Eric Christmas is also memorable as a sales man for the Happy People Corporation. And of course there is the affable and talented Steve Buscemi who plays Ed, who is really this comedy’s straight man. Sadly the ladies are the weak link here. I don’t really think Miriam Margolyes who plays mother is to blame as she was animated and enthusiastic enough. The bigger problem was they just did not give her enough funny lines and/or scenarios. The dead mother really should have been the highlight shouldn’t she? She is not. Ed’s romantic interest, Storm (more of a strong breeze than a storm if you ask me) played by Sam Jenkins also does not get any particularly funny bits. She is awful pretty, but is rather a non-entity. There is very little horror outside of the resurrection of Ed’s dead mother and one death scene which we don’t get to see. Even the laughs are a clean affair. I guess I was hoping for something a little darker. The love story was unnecessary and the ending is terribly corny. Ed and his Dead Mother gave me enough laughs to warrant a bit more than a pass but consider it a light recommendation at best.

ed and his dead mother

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#9 NECRONOMICON
Directed By: Christophe Gans, Shûsuke Kaneko, Brian Yuzna

Necronomicon is an anthology of three stories based loosely on the writing of H.P. Lovecraft. The wraparound story even features Lovecraft as a character played by Jeffrey Combs. The Drowned is directed by Christophe Gans (Brotherhood of the Wolf, Silent Hill) and is visually appealing but has the weakest story of the trio. The story focuses on Edward de Lapoer who inherits an old mansion. Edward finds the diary of the relative who left him the home that tells the story of how he resurrected his dead wife and son. The flashback portion is well done and was full of promise. Unfortunately the latter half is mainly Edward and it is a stone cold drag. It does have a rather nice looking creature however. The second story is The Cold directed by Shûsuke Kaneko (Gamera: Guardian of the Universe, Godzilla, Mothra and King Ghidorah: Giant Monsters All-Out Attack) and had a pretty good story but lacked a little in the visual department. This story focuses on Dr. Madden who discovered the secret to eternal life and the young woman who inadvertently becomes involved with him. The performance from the excellent David Warner is what makes this segment stand out. I wasn’t crazy about the choice of Emily for the woman in his life. Emily seemed far too young and was not terribly charismatic. There is no chemistry between the two whatsoever. The Cold is a flawed but fairly entertaining tale. Whispers is the best of the trilogy and has a decent story and pretty nifty visuals. Whispers was directed by Brian Yuzna (Society, Bride of Re-Animator, The Dentist, Progeny, Return of the Living Dead III) who also directed the wraparound story. A pregnant cop’s lover/partner is pulled from their car after an accident. She pursues the perpetrator unaware that she is entering into an unimaginable world of nightmarish horror! This segment has some blood, gore and nice looking effects; a creepy atmosphere too. The story is paper thin but it serves its purpose. Necronomicon is flawed right, left and center. Each segment has its strengths and weaknesses but none of them knocked my socks off. Necronomicon did not take up much of my time and it definitely had its moments but the anthology as a whole package is just a touch better than mediocre. To read the full review click here.

necronomicon

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#8 THE WASHING MACHINE
Directed By: Ruggero Deodato

There were still a few of the old school Italian directors churning out films in the 90s. The output from Italy was considerably slimmer than its heydays of the 60s, 70s and 80s and the quality was not what it once was. Nonetheless this is the first of three Italian entries on my top ten list for 1993. In a stronger year, a film I rated 3/5 would not make a top ten, but in 1993 The Washing Machine was one of the year’s stronger titles. The Washing Machine is the story of Maria, Vida and Ludmilla; three sisters who find a dead man in their washing machine. When the handsome Inspector Alexander Stacev shows up to investigate however there is no dead body to be found. An inspector who doesn’t have a case is nonetheless intrigued by the three sisters and their claims. Each sister attempts to frame the other for a crime that may not have even been committed. Inspector Stacev doesn’t seem too put off by each woman’s attempt to seduce him either. The Washing Machine is sex and nudity served with a side of murder. There is lots and lots of nudity. Frankly, it is far too light on the killing. It is also pretty light on story and some of the scenes drag badly. I do not know that I really understood the women’s motivation when it was all over. The final scene did give me a serious chuckle though. These are three sexy and saucy women, and I won’t deny despite its problems the film has its intriguing moments. The trio of bodacious babes and their handsome inspector were quite watchable.

the washing machine

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#7 THE UNTOLD STORY
Directed By: Danny Lee & Herman Yau

The Untold Story is about Wong Chi Hang who has recently acquired The Eight Immortals Restaurant thanks to a gambling debt. The gambling debt is merely Hang’s motivation to kill which we witness in the films opening scene when he beats the crap out of a man and sets him on fire watching him burn alive. Hang is in fact a psychotic killer. I should mention also, he is using corpses for meat in his popular pork buns! Apparently this is a horror comedy. I get the horror part but I can not say I found The Untold Story particularly funny. There really is nothing funny about the Wong Chi Hang character. He is an unfriendly, self-righteous, crooked, violent prick. The laughs I guess are supposed to come from the inept police. The chief of police has a weakness for the ladies, or more specifically for prostitutes, but he is the only one who seems to have any brains. The three male cops are always insulting the lone female cop about needing to get laid and having small tits. As the viewer we are ten steps ahead of the cops. When the cops finally do catch up and figure out Hang is the guilty party they can not get him to confess. The cops end up torturing the hell out of Hang. Hang’s confession of how he eliminated the former owner of The Eight Immortals Restaurant and his family is truly chilling and horrific. I wasn’t terribly amused by the comedy; the mix of comedy and violence was awkward and a bit discomforting. I have to admit that I found the hideous Wong Chi Hang story (apparently based on real events?!) brutal, grotesque but thoroughly intriguing. It superseded the cop shit. The violence is very nasty and heartless and hugely memorable. I knew of Anthony Wong and had seen him in the odd thing, but it would seem he was a bigger name than I realized. This is at least the fifth film I’ve seen him in from the decade and Wong has played a creepilious creep in every last one. He is frightfully good at playing creeps. I almost feel a little guilty about enjoying The Untold Story as it really is a nasty and ugly little film. But what can I say? Anthony Wong rocks!

the untold story

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#6 THE DARK HALF
Directed By: George A. Romero

The Dark Half is based on the book by Stephen King and is directed by George A. Romero. The story is about Thad Beaumont who as a child had a tumor removed from his brain that contained pieces of his unborn twin. Thad grows up and gets married and has twins of his own and life is honky dory; until he is blackmailed. Thad has been writing a series of popular violent crime novels under the name George Stark. Instead of giving in to the blackmailing bastard Thad discusses it with his publisher and they go to the press themselves. Thad has buried George Stark for good but Stark apparently does not much care for being dead. Thad, by sheer will materializes George Stark in to an actual walking, talking, murdering entity. The Dark Half introduces some ideas that are not followed through and some of the action felt a touch redundant but the story is intriguing, the acting is good, the effects are decent and there are some effective moments of horror. The Dark Half is flawed by entertaining. To read the full review click here.

the dark half

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#5 TRAUMA
Directed By: Dario Argento

Dario Argento’s Trauma is the second Italian made entry to find a place on my top ten list for 1993. As far as I am aware, Trauma is the only title Argento filmed in the USA; Minnesota to be specific. It is also the first film he directed to star his daughter Asia (there would be several more). The story is about Aura Petrescu, a young woman who along with David Parsons, her newly acquired love interest set out to investigate the murder of her parents. The acting is pretty decent with memorable turns from Piper Laurie, Frederic Forrest, James Russo and Brad Dourif. The two characters really in focus here are Aura and David. As Aura, Argento manages to garner some empathy and is quite likable and Christopher Rydell is also amiable enough; but a lack of chemistry does work against both characters. Don’t let the whole filmed in the USA thing turn you off, this is distinctly European and has Argento’s stamp all over it. Argento’s always impressive eye for detail and creative shots are fully intact. I always enjoy a good death scene that takes place in the snow or rain and Argento includes some really lovely oppressive and bleak rain scenes that are very effective. While there is not as much gore as other Argento films it does have a few very nice set pieces to rave about. With a killer known as the Headhunter you can rest assured people do lose their heads and that is always fun! With Tom Savini on board to take care of the makeup effects you know you are in good hands. Trauma is not without flaws, but I really don’t understand the hate out there for this film. Trauma is a compelling horror thriller; visually alluring, atmospheric and a rather underappreciated Giallo.

trauma

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#4 BODY MELT
Directed By: Philip Brophy

Body Melt is a satirical look at the big business of fitness in the late 80s and early 90s. It is a hilariously gross horror-comedy oozing with bodily fluids. Vimuville is a health spa that is marketing a new line of vitamins. They have chosen the good people of Pebbles Court in Homesville to be part of their experiment. Their experiments spare no one; kids, pregnant women, business men. Bodies melt, explode, implode and sometimes tentacles come crawling out and placentas attack and kill husbands. Side effects will include severe hallucinations and death! There is even a mutant family subplot. Body Melt has it all! It is completely bananas. Body Melt is a cheap, cheesy, cheeky, funny flick full of free flowing body fluids and a delightfully vile horror-comedy that should appeal to fans of low-budget and low-brow schlock. To read the full review click here.

body melt

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#3 RETURN OF THE LIVING DEAD III
Directed By: Brian Yuzna

I am a huge fan of Dan O’Bannon’s 1985 film The Return of the Living Dead. I think it is one of the best horror comedies ever and it has long held a position on my top 100 favourite horror movies of all time. Unlike the original, Return of the Living Dead III is not a horror-comedy but rather straight up horror served with a side of love story. Love stories in horror films are generally a big turnoff in my book; but in Return of the Living Dead III it actually works. Return of the Living Dead III has very little in common with the first two films, but don’t let that turn you off. Return of the Living Dead III is a sequel that can be enjoyed on its own merit. To impress Julie the girl he loves, Curt steels his father’s security key card. Curt’s pop is a high ranking Colonel working on a top secret project at a nearby military base. Julie and Curt sneak in one night and witness what appears to be a dead man being brought back to life. The couple leaves the facility undetected. Later that same evening Colonel dad informs Curt that he has been transferred and they will be leaving at the end of the week. Curt decides to runaway with Julie and start a new life. Unfortunately they are in a motorcycle accident and Julie is killed. Faster than you can say “I didn’t see that coming” Curt has Julie inside the military facility and abracadabra Julie is back from the dead. I really can’t say enough about the awesome effects and makeup in Return of the Living Dead III! The zombies are all nasty, creative and grotesque and the gore effects are beautiful. Watch out for giraffe neck zombie…he was fan-freaking-tastic!! Practical effects this good should be applauded. Return of the Living Dead III has excellent action sequences, intensity, great effects, beauty gore and a stand out performance from Melinda Clarke who plays Julie. Return of the Living Dead III is a very entertaining zombie flick. To read the full review click here.

return of the living dead III

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#2 DARK WATERS
Directed By: Mariano Baino

The final Italian entry on my top ten is Mariano Baino’s excellent Dark Waters; sadly the only full-length feature film from the director thus far. Dark Waters is the story of Elizabeth whom embarks on a journey to investigate a remote convent. After the recent death of her father Elizabeth learns he had been sending significant amounts of money to this convent. The haunting stone fortress cut off from the world is an intimidating place and the convent’s nuns are cold and unfriendly but nonetheless allow Elizabeth to stay. Elizabeth begins to experience relenting and horrifying nightmares and soon uncovers the convents secrets which relate to her own past. Elizabeth finds out that some secrets are best left undiscovered. Dark Waters is a visceral experience that leaves a lasting impression. The island is the most beautifully unappealing, bleak, desolate and godforsaken place you can possibly imagine. The nuns are a grim and acidic bunch led by a blind and particularly salty Mother Superior. They make no attempt to help Elizabeth find her answers with the exception of one young nun named Sarah. Mariano Baino makes the most of the sublimely perfect setting. Dark Waters pitch perfect atmosphere is beautifully complimented by Elizabeth’s terrifying nightmares. It is clear that director Mariano Baino was inspired by H.P. Lovecraft. Wait until you get a glimpse of the creature. Unfortunately, you do get only a glance, and I must admit I desired to see more. The use of candles and the various other religiously-oriented props are superb and enhance every last shot in the film. There are some genuinely creepy scenes of nuns featuring burning crosses and the like, and anyone who digs badass nuns will be thrilled. Louise Salter is very good as Elizabeth; I hoped for her survival; although things never look very promising for her character. My only complaint really is the ending felt a bit rushed, but by no means was it unsatisfying. Dark Waters is a gorgeously filmed, well-acted atmospheric horror film with some truly terrifying moments. Mariano Baino needs to make another film!

dark waters

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#1 CRONOS
Directed By: Guillermo del Toro

Cronos was the first full-length feature film from Mexican director Guillermo del Toro and it is a hell of a debut! Cronos remains to this day one of the most unique cinematic entries in the vampire mythos. Jesus Gris is a kind elderly man who owns an antique shop. He finds a gold scarab hidden inside a hollowed out archangel which affixes itself to his skin and injects him with a needle. Soon after he realizes the scarab stab has given him new vigor and begins to knock years from his age. Meanwhile, an eccentric dying man named De la Guardia has been collecting information about the very same golden scarab and has purchased several archangels to find it. De la Guardia with the help of his thug nephew Angel will stop at nothing to acquire it. The Scarab device is 450 years old when Jesus finds it; the creation of an alchemist searching for eternal life. The inner workings of the device which are detailed in a particularly excellent scene features a living insect fitted with internal clockwork. Pretty intricate, and amazing. Of course there is always a price to pay for eternal life and in the case of Cronos it comes in the form of an overwhelming desire for blood. Jesus Gris is a good man, but even he can not fight the lure of eternal life! The visuals in the film are really quite impressive and del Toro makes the most of the limited budget with flare and style. There are some really great effects in Cronos. There is a bit of blood and gore too. What really elevates Cronos are the characterizations and the performances. I can’t say enough good things about the charming Federico Luppi who plays Jesus. He is the most sympathetic and likable blood sucker ever. He has a genuinely sweet relationship with his granddaughter Aurora, who is an adorable and absolutely delightful little thing. Claudio Brook who plays De la Guardia is also outstanding and his eccentric brute of a nephew played by Ron Perlman steals every scene he is in. There were a few questionable plot points but they have little effect on the overall picture. Cronos is a well made, original, atmospheric, funny, dark, beautifully acted and effective horror film well worth a viewing (and multiple viewings at that!).

cronos

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Riz Ortolani – Cannibal Holocaust (Main Theme & Adulteress’ Punishment)

Posted in horror, Italy, movies with tags , , , , on December 23, 2012 by goregirl

Cannibal Holocaust (Main Theme) (2:57) & Adulteress’ Punishment (3:21) music by Riz Ortolani with a slideshow of Ruggero Deodato’s films. Special thanks to Sly from @Lost_on42ndSt … follow him on Twitter for great soundtrack music!!

CANNIBAL HOLOCAUST (1980) – The Dungeon Review!

Posted in horror, Italy, movies with tags , , , , , on March 19, 2010 by goregirl

‘Cannibal Holocaust’ is yet another infamously grotesque Italian offering banned in X number of countries. This one however, lives up to the hype. The film is done like a documentary and the kills look so real and disturbing that just days after the film premiered in Italy it was seized by the courts and director Ruggero Deodato was arrested and charged with murder. He literally had to present the actors that played the fictional film crew to prove his innocence. You can’t beat that kind of press to promote your horror flick!

A four-person film crew fails to return from a documentary shoot on a remote island. A university professor is recruited by a television network to conduct a rescue mission. The journey recovers the film footage shot by the crew, which captures the deplorable actions of the quartet and their inevitable deaths.

The first half of the film is the professor’s mission. Although there are some harsh and intense moments, the real severe sections are in the second half when we watch the recovered footage of the film crew. The professor has hired a guide who helps him navigate the island. He manages to get the natives to trust him and acquires the film through diplomatic means. In direct contrast we have the four young, arrogant, sick and twisted fucks that want nothing more than to become infamous. They are considerably less than courteous to their hosts, at one point they set one of their large huts on fire with several people inside to get themselves a “money shot”. One of the more subtle disturbing character traits of the crew’s leader can be seen when he comes in contact with a woman impaled on a pole. His face lights up with utter joy at the sight of this atrocity knowing full well how awesome it will look on film. The two opposing island experiences make for some interesting commentary. A comment is made by the professor at the end of the film, something to the effect of “Who are the real monsters here?” There is no mistaking that Deodato has some commentary to make, particularly where it relates to the media. By no means am I comparing the film ‘Network’ to ‘Cannibal Holocaust’ but the message is similar. Unlike the vast majority of other cannibal films in existence, this one presents its material in a deadly serious tone and no levity whatsoever is afforded to the viewer. It is one of the very few, if not the only film from this sub-genre that is interesting and thoughtful enough to earn any serious critical examination. Deodato depicts his fictional natives as brutal cannibals and throws in a whole lot of animal snuff to keep the vomit quotient high. Make no mistake about it, commentary or not, this is a completely exploitative film.

Animals are killed in graphic displays clearly intended to keep the gross out factor high in between the human violence. These killings are REAL! This is the one massive issue I have with this film and others of its sub-genre. These kills are callous and obscene and are nothing more than animal snuff. I am not ashamed to tell you, not only did I look away, but at one point, I had to turn the film off and take a break from it for a few minutes. I read that the first shot of a monkey killed didn’t work out and they had to kill a second monkey. Wow, that is just fucking awesome! The actual killing of animals for the sake of entertainment is repulsive to me. Apparently there is an edited version where all the animal violence is taken out. Unfortunately I understand that most of the other film violence is also removed. I can’t imagine not being given the satisfaction of seeing the four monster filmmaker’s deaths in all of their glory. Even though I find the animal deaths disturbing I couldn’t bring myself to watch a heavily censored horror film, I think I would just take a pass.

With that strong stance you would think I was going to tear this film a new asshole, but I really can’t. As a lifelong horror fan and someone who appreciates gore, effects, atmosphere and great soundtracks I have to give this film its due. As a director, Deodato is not without talent. The cinematography is impressive and the atmosphere is convincingly doom and gloomy. It is ugly, gritty and frighteningly realistic. The scenes of gore are simply amazing. The image so many associate with this film is a cannibal girl impaled on a pole. The scene was achieved by having the girl balance on a bicycle seat attached to the pole while holding a piece of wood in her mouth. Blood was added and you have pure horror Brilliance! Deodato comes up with some truly sick and disturbing concepts along the way. The vaginal mutilation punishment for an adulteress native woman is sick beyond belief. So sick in fact that it would seem that none of the native women were willing to do it so they covered a female crewmember with mud. Although the scene worked on a grotesque level, it is obvious that it is a white woman. Other than this muddy white woman pretending to be a native, there isn’t a single scene in the entire film that looks hokey or fake. Although it is clear that things did not turn out so well for the missing film crew, there really are few hints as to their true nature. The TV network, which plan on showing the world the found footage of the film crew also interview the friends and family of the quartet. I thought this was an interesting way to give the viewer more insight on the group without softening the blow. There are no punches pulled and all parties are viewed under a pretty damn unflattering light, with the exception of the professor, who is the moral voice of reason in ‘Cannibal Holocaust’. Although the film is extremely brutal, gore levels are relatively low compared to other horror films, by no means does this make it any less nasty. The thing I admire about ‘Cannibal Holocaust’ the most is the kick ass, killer and completely fucked up soundtrack from Riz Ortolani. The sweet string inspired compositions almost legitimize the harrowing action onscreen. This is easily one of the most disturbing and effective soundtracks ever made for a horror film!

‘Cannibal Holocaust’ is a well-made, fascinating, brutal and disturbing film. It is without a doubt the best of the cannibal films and one of the most biting films to come out of Italy during the period. Let me be clear, I don’t plan on EVER watching this film again, but I am nonetheless giving this film a recommendation with a severe warning! This film contains the brutal and graphic killing of real animals specifically for the purpose of entertainment! Rent it at your own risk.

Dungeon Rating: 3.5/5

Directed By: Ruggero Deodato

Starring: Robert Kerman, Francesca Ciardi, Perry Pirkanen, Luca Barbareschi, Salvatore Basile, Ricardo Fuentes, Carl Gabriel Yorke, Paolo Paoloni, Lionello Pio Di Savoia

HOUSE ON THE EDGE OF THE PARK (1980) – The Dungeon Review!

Posted in horror, Italy, movies with tags , , , , on January 4, 2010 by goregirl

‘House On The Edge Of The Park’ was a recommendation left for me some time ago. Directed by Ruggero Deodato the man behind ‘Cannibal Holocaust’, I was all ramped up for some extreme violence. ‘House’ has its disturbing moments to be sure but the film is actually a slow boil and is almost gore-free. It is a film that definitely gets under your skin though.

Mechanic Alex and his friend Ricky invite themselves to the party of an attractive socialite couple after they pull into his garage with car troubles. When it becomes obviously that the group are having fun at their expense Alex lays siege and terrorizes the group. But the group of attractive well-to-do’s may have their own agenda.

In the films opening scene we see Alex forcing a woman to stop her car, who he then rapes and strangles to death. ‘House On The Edge Of The Park’ is a harsh film, make no mistake about it. But for a harsh film not all that much really happens. Alex is a rather unsavoury character, but the group of young, arrogant well-to-do’s don’t exactly garner any empathy. The only character in this film I had any sympathy for at all is Alex’s simple friend Ricky. Well, him and poor Cindy, the neighbour who drops by uninvited. Poor Cindy is in the films most brutal scene, and she even gets her own theme song. I was engrossed by the stark and brutal film style and it definitely has a sleazy exploitative quality. I did have some issues with ‘House’ however. I felt really annoyed by the group’s inability, or outright refusal to fight back. This is explained to some extent in the films ending but still didn’t work for me. I’m not entirely sure how I feel about the ending. On one hand it does answer some questions, but on the other hand it poses a few new ones that are never answered.

The performances are pretty good. David Hess cuts an intimidating figure and is a memorable sociopath. Giovanni Lombardo Radice is convincing as Ricky, his dim-witted friend. He emulates Alex but is incapable of being his equal. This is clear in a scene where Alex insists he have his way with one of the women at the party. Ricky cannot bring himself to violate the shaking and crying woman. Annie Belle is spot on as the snobby Lisa and takes teasing to a whole new level. At one point in the film she actually invites Alex to shower with her and refuses to see it through.

It’s not much of a surprise when Alex goes ape shit on the group. It’s clear he hasn’t come for the martinis and the good company. The group have a lot of fun at Ricky’s expense, getting him drunk and then cheering him on as he does a striptease and then stealing all his money in a rigged poker game. Meanwhile Lisa is teasing the hell out of Alex, who all things considered, seems to be on his best behaviour. But his last nerve is trampled on and all shit breaks loose. Both male party guests have the snot beaten out of them. One of the guys is thrown into the pool to cool down and is then pissed on by Alex. He spends the rest of the film tethered to the leg of a coffee table. But it’s the women in the film that endure the real humiliation.

There is lot’s of nudity in this film. The camera lingers often on the naked bodies of its female cast. Even Hess gets naked. But if you are looking for a body count, you’ll want to look elsewhere. ‘House On The Edge Of The Park’s’ strong menacing atmosphere is quite effective but it is a little slower paced than I would have expected. The inability of the victims to fight back as well as an iffy ending did leave a bit of a bitter taste in my mouth, but I still found the film strangely compelling. The films soundtrack is excellent and that Cindy Oh Cindy song still haunts me. The disc we rented had a lengthy interview with Hess that is actually quite interesting, as well as considerably shorter interviews with Giovanni Lombardo Radice and director Ruggero Deodato. Enjoy would be the wrong word to use here, but I actually liked this film. Recommended…with warning.

Dungeon Rating: 3/5

Directed By: Ruggero Deodato

Starring: David Hess, Annie Belle, Christian Borromeo, Giovanni Lombardo Radice, Marie Claude Joseph, Gabriele Di Giulio, Brigitte Petronio, Karoline Mardeck, Lorraine De Selle