Archive for robert wise

Who Is Your Favourite HORROR Director Of The 60s? RESULTS!

Posted in horror, movies with tags , , , , , on November 27, 2012 by goregirl

Last week I asked you who your favourite 1960s horror film director was. There were 33 votes and a real mixed bag too. Only four directors of the nineteen I listed received no votes. The winner with six votes was Mario Bava right behind him was George A. Romero with five votes and Alfred Hitchcock rounded out the top three with four votes. Here is how the rest of the votes came in…

Mario Bava 18.18% (6 votes)
George A. Romero 15.15% (5 votes)
Alfred Hitchcock 12.12% (4 votes)
William Castle 9.09% (3 votes)
Robert Wise 9.09% (3 votes)
Roman Polanski 6.06% (2 votes)
Terence Fisher 6.06% (2 votes)
Roger Corman 3.03% (1 vote)
Jess Franco 3.03% (1 vote)
Sidney Hayers 3.03% (1 vote)
Ishirô Honda 3.03% (1 vote)
Herschell Gordon Lewis 3.03% (1 vote)
José Mojica Marins 3.03% (1 vote)
Michael Reeves 3.03% (1 vote)
Kaneto Shindô 3.03% (1 vote)
Freddie Francis 0% (0 votes)
John Gilling 0% (0 votes)
Antonio Margheriti 0% (0 votes)
John Llewellyn Moxey 0% (0 votes)

Tomorrow I will post my Top 10 Favourite Horror Films from 1969; the final year of the decade!

THE BODY SNATCHER (1945) – The Dungeon Review!

Posted in horror, movies, USA with tags , , , , , , , , on September 7, 2010 by goregirl

The Body Snatcher is the fourth film I’ve reviewed from producer extraordinaire Val Lewton. I spent enough time singing the praises of the brilliant Mr. Lewton in my previous posts so I won’t go on and on but the man’s contribution to the horror genre is massive. Lewton produced some of the greatest horror films ever made, and in 1945 he was responsible for bringing genre legend Boris Karloff into the fold. Karloff appeared in three Val Lewton produced films for RKO: Isle of the Dead, The Body Snatcher, and Bedlam. (The following text “in italics” was taken from Wikipedia). In a 1946 interview with Louis Berg of the Los Angeles Times, Karloff discussed his three-picture deal with RKO, his reasons for leaving Universal Pictures and working with producer Lewton. Karloff left Universal because he thought the Frankenstein franchise had run its course. The latest installment was what he called a “‘monster clambake,’ with everything thrown in—Frankenstein, Dracula, a hunchback and a ‘man-beast’ that howled in the night. It was too much. Karloff thought it was ridiculous and said so.” Berg continues, “Mr. Karloff has great love and respect for Mr. Lewton as the man who rescued him from the living dead and restored, so to speak, his soul.”

The Body Snatcher is based on a Robert Louis Stevenson’s story and takes place in 19th century Scotland. The use of cadavers was imperative in advancing medicine but the supply was scant and grave robbers were often employed to retrieve the bodies. Doctor MacFarlane heads a school of medicine and employs one such gravedigger to provide specimens for his students. While MacFarlane may be employer to gravedigger Gray it is Gray who yields the power. Gray and MacFarlane share a sordid past which Gray threatens to expose at every turn. Gray’s constant smirking reminders never fail to fluster the usually cold and composed MacFarlane. Gray’s taunts effect MacFarlane’s judgement and he soon begins to lose his grip on reality.

As in all Lewton films, the strength of the characters is key. In a career full of epic horror performances The Body Snatcher may very well be Boris Karloff’s best. That, I suppose is a matter of opinion, but his sinister turn here as Cabman Gray is one of those monumental genre performances that stays firmly engraved on the brain. With that marvellous voice of his delivering the promise of much malice how could you go wrong? Karloff’s performance is definitely a showstopper but it is his relationship with his co-star and partner in crime Dr. Wolfe ‘Toddy’ Macfarlane, played by Henry Daniell that gives the film its bite. Dr. MacFarlane is a hard looking man with a cold exterior and does not appear to be the type of man easily intimidated. In our introduction to MacFarlane we see him turn down a desperate mother in need of care for her wheelchair bound daughter. We get a glimpse of his icy demeanour not to mention his horrific bedside manner. We see a warmer side to MacFarlane when he is alone with his mistress, but the fact that she is a dirty little secret who poses as his housekeeper for the rest of the world cancels it out. MacFarlane is a pretty unlikeable guy, but I still could not help but feel a little empathy for him. Gray serves as a constant reminder of MacFarlane’s guilty past. Gray takes great pleasure in calling MacFarlane by his old nickname ‘Toddy’. “You’ll never get rid of me that way, Toddy,” (It inspired bad Karloff imitations for days around our house!) The nickname and the taunts never fail to fluster MacFarlane. The two characters are locked in a relationship of hatred and dependence that neither can escape. MacFarlane and Gray are an inspired pairing and every last second of banter between the two is ugly, nasty and a complete fascination to behold. Gray and MacFarlane give the story its dark heart and a naive young doctor adds a bit of levity. Donald Fettes is a student under MacFarlane who also acts as his lab assistant. He is the films moral center but even he is willing to compromise his principles to save a life. Fettes becomes involved with a woman and her crippled daughter who is in desperate need of surgery. He pleads with MacFarlane to help the child but is told they will need another body for further study before they can proceed. Soon Fettes is wandering the streets at night looking for Gray in hopes that he can acquire another specimen. Russell Wade does a decent job playing the mild-mannered Fettes although he is a little flat at times. Finally we have poor Bela Lugosi. If you were hoping for another great classic pairing of two horror icons, don’t look here. Lugosi’s plays one of MacFarlane’s servants and his role is tiny and not terribly significant.

The Body Snatcher’s intriguing story and its magnificent characters are perfectly complimented by its visuals. Filmed in black and white, oozing with malice and a foreboding atmosphere that escalates until it reaches its final tragic conclusion. The films wardrobe and sets do a commendable job of capturing 19th century Scotland. There are very few exterior shots used as much of the film takes place in the homes of MacFarlane and Gray. The tiny, dark, confines of Gray’s abode seem much bleaker in contrast with MacFarlanes large, elaborate and well-stated residence.

I tried to keep this review as vague as possible as it would be a terrible disservice to the film to give away too much. The Body Snatcher is well paced, beautifully filmed, and its excellent story and intriguing central characters were completely engrossing. My only complaint was it ended too soon! You must acquire a copy immediately and watch it with the lights out. You’ll do that for me now won’t you Toddy? Highest of recommendations!

Dungeon Rating: 5/5

Directed By: Robert Wise

Starring: Boris Karloff, Bela Lugosi, Henry Daniell, Edith Atwater, Russell Wade, Rita Corday, Sharyn Moffett, Donna Lee