Archive for peter cushing

Who Is Your Favourite HORROR Director Of The 60s?

Posted in horror, movies with tags , , , , , , on November 21, 2012 by goregirl

Last week I cruelly asked you to choose between Peter Cushing and Christopher Lee. Lee is intense-sexy-evil and Cushing is charismatic-cool-collectiveness and both are fecking awesome! If nothing else this silly poll is a testimonial to the fact that these two men are equally admired horror movie icons. Here are the results…

Peter Cushing = 11 votes

Christopher Lee = 10 votes

Today I ask you who your favourite 1960s horror film director is. I included a slot for “other” as I couldn’t possibly include every last director who made a film during the decade!

***Tomorrow I will post my list for 1966! Next week I’ll have the top ten lists for 1967, 68 and 69 and results for this poll! Stay tuned!***

Peter Cushing or Christopher Lee?

Posted in horror, movies, UK with tags , on November 14, 2012 by goregirl

Peter Cushing and Christopher Lee have appeared in twenty-three full-length feature films together; Hamlet (1948), Moulin Rouge (1952), The Curse of Frankenstein (1957), Dracula (1958), The Hound of the Baskervilles (1959), The Mummy (1959), The Devil’s Agent (1962), The Gorgon (1964), The Skull (1965), Dr. Terror’s House of Horrors (1965), She (1965), Night of the Big Heat (1967), Scream and Scream Again (1970), One More Time (1970), The House That Dripped Blood (1971), I, Monster (1971),The Trans-Siberian Train (1972), Dracula A.D. 1972 (1972), The Satanic Rites of Dracula (1973),  The Creeping Flesh (1973),  Nothing But the Night (1973), Arabian Adventure (1979), House of the Long Shadows (1983).

Christopher Lee said of his friend Peter Cushing who died in 1994 at the age of 81; “I don’t want to sound gloomy, but, at some point of your lives, every one of you will notice that you have in your life one person, one friend whom you love and care for very much. That person is so close to you that you are able to share some things only with him. For example, you can call that friend, and from the very first maniacal laugh or some other joke you will know who is at the other end of that line. We used to do that with him so often. And then when that person is gone, there will be nothing like that in your life ever again”. (Quote borrowed from the Peter Cushing Wikipedia page).

Peter Cushing and Christopher Lee are without a doubt one of horror’s greatest classic pairings! Is it fair to ask which of these two wonderful talented actors are your favourite? Probably not, but here it is anyway…Peter Cushing or Christopher Lee?

***Tomorrow I will be posting my TOP 10 Favourite Horror Films from 1964!***

Goregirl’s TOP 10 Favourite Horror Films From 1960

Posted in horror, movies with tags , , , , , , , , , , , , , , , , , , , , , , , , , on October 31, 2012 by goregirl

IMDB listed 139 titles for 1960, but once I dug into the list I discovered only 61 were actually full-length feature films. As is my modus operandi when doing these features, I do not include shorts, documentaries, made for TV movies or TV series. IMDB lists every individual episode of the television shows which accounted for a goodly number of the 139 titles. There were several episodes of the excellent Twilight Zone series along with two shows I had never heard of Thriller and The Unforeseen. I saw 47 of the 61 films from 1960. Ranking these was practically impossible. For starters my entire top five are films I ranked 5/5. How do you rank films you rated identically? Numbers 6 and 7 were films I rated 4.5/5 so they were easy enough to place. The bigger problem came when trying to decide which 3 films would round out the list when I had 8 films I ranked 4/5! What a colossal headache! The films I left off are all well worth a viewing; The Brides of Dracula, Circus of Horrors, The Two Faces of Dr. Jekyll and The Secret of the Telgian.

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#10 THE FLESH AND THE FIENDS

Directed By: John Gilling

The Flesh and the Fiends is the story of infamous corpse peddlers William Burke and William Hare and their business transactions with Professor Dr. Robert Knox. The lead performances are absolutely top notch; Peter Cushing as Dr. Knox, Donald Pleasence as Hare and George Rose as Burke are perfectly cast. Some of the supporting character subplots felt redundant but it’s a small complaint in an otherwise outstanding film. The Flesh and the Fiends beautifully captures the dark shadows of 19th Century Edinburgh. It’s a fantastic looking film with an excellent grim and eerie vibe. The deaths are not graphic but they are cold-hearted, well-executed and effectively chilling. I foolishly assumed being a 1960 British film starring Peter Cushing and directed by John Gilling (who directed the fantastic Hammer film Plague of the Zombies) that this was a Hammer film. It was in fact made at Shepperton Studios and was produced by Triad Productions. I was particularly torn between Circus of Horrors and The Flesh and the Fiends. In the end John Gilling’s excellent The Flesh and the Fiends won out in a large part thanks to the performances of Cushing, Pleasance and Rose.

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#9 MILL OF THE STONE WOMEN

Directed By: Giorgio Ferroni

Mill of the Stone Women is about a reporter writing a story on a reclusive sculptor who lives in an old mill. The mill houses a strange tourist attraction created by the sculptor; a carousel-esque contraption that features statues of historical women including some famous murderesses. The sculptor is hiding a secret in the form of a beautiful daughter suffering from some mysterious illness. Add to the mix an eccentric doctor and you’ve got one entertaining story. They give away too much information too soon yet the finale is none the lesser for it. The film’s finale is an absolute utter treat! Mill of the Stone Women is an imaginatively filmed lush affair with some seriously trippy scenes. The performances are good; particularly strong are Herbert Boehme as Professor Gregorius Wahl and Wolfgang Preiss as Dr. Loren Bohlem. It is a slow-moving but hypnotic watch with utterly fantastic set pieces, especially that lady carousel; that thing was freaking awesome! Giorgio Ferroni’s Mill of the Stone Women is a stylish, atmospheric horror film that comes highly recommended.

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#8 JIGOKU (aka THE SINNERS OF HELL)

Directed By: Nobuo Nakagawa

Jigoku or The Sinners of Hell is a bit of a bitch to give a short summary for. It is a story about a student named Shiro who is engaged to his professor’s daughter Yukiko. Shiro is the passenger in a hit and run, but there is a witness who wants revenge, Yukiko dies in a car accident, and Shiro is called home to see his dying mother. Shiro’s father runs a shoddy retirement home and openly flaunts his mistress and his mother’s caretaker is a dead ringer for his recently deceased fiancé. For reasons I will not divulge everyone ends up in hell. Hell! Rivers of blood, endless tortures, and demons await you! Jigoku is one of the earliest films to feature graphic gore. There is a flaying and a decapitation among other goodies. Jigoku is an exceptional film visually that is as beautiful as it is bizarre. To check out my photo review for Jigoku click here. Jigoku is an exceptionally unique Japanese horror film…and it has gore!

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#7 HOUSE OF USHER

Directed By: Roger Corman

Roger Corman directed several films based on the work of Edgar Allan Poe starring horror legend Vincent Price. Expect to see more of these on the top ten lists as they are some of the best the decade has to offer! Vincent Price plays Roderick Usher who opposes the marriage of his sister Madeline due to their cursed family bloodline. Price, of course is brilliant as Roderick Usher and he gets strong support from Myrna Fahey who plays Madeline Usher, Harry Ellerbe as Bristol and Mark Damon as Philip Winthrop; Madeline’s intended. The visuals are first class all the way. House of Usher’s great costumes, fantastic sets, superb performances and well-paced plotting assures you are entertained every single second of its 80ish minute runtime.

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#6 CITY OF THE DEAD

Directed By: John Llewellyn Moxey

City of the Dead was on my list of favourite witchcraft films I posted last week and it easily qualified as one of the best of 1960. City of the Dead is about a college student prompted by her professor to do research in the tiny village of Whitewood where much to her horror she discovers she is a target for a coven of witches. The performances are good particularly from Patricia Jessel who plays dual roles and Christopher Lee who has a memorable supporting turn. City of the Dead is a great atmospheric horror films with excellent suspense, beautifully gothic visuals and an engrossing story with one hell of a finale.

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#5 VILLAGE OF THE DAMNED

Directed By: Wolf Rilla

Village of the Damned has been a favourite since I was a kid. An entire town rendered unconscious and protected by an invisible force field even the military can not breach. After a while the force field disappears and the townsfolk begin waking up seemingly unharmed. A few weeks later however the women of child-bearing age discover they are pregnant and all deliver on the same day. The children grow at an alarming rate and bare a striking resemblance to one another. The creepy, emotionless blonde haired children also possess supernatural powers! Filmed in beautiful black and white with a perfect sense of paranoia and an eerie menacing vibe that is completely engrossing. Village of the Damned is well-written and the performances are perfect; especially excellent is George Sanders as the affable Gordon Zellaby, and the talented Barbara Shelley as his charming wife Anthea. Beware the glowing eyes of the children! Why haven’t you seen this film? Village of the Damned is one of the great classics of sci-fi horror.

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#4 BLACK SUNDAY

Directed By: Mario Bava

I warned you it would not be the last time you would see Mario Bava’s Black Sunday on a list! There is no movie on this list I have seen more than Black Sunday! My childhood viewing of Black Sunday terrified me! These days I appreciate it more for its beautiful, gothic, hypnotizing cinematography. But that scene of the mask of Satan being pounded into Barbara Steele’s face still has some sting! It is the story of a witch put to death by her own brother who returns 200 years later to seek revenge on her descendants. Black Sunday is beautiful, eerie and hypnotic and Barbara Steele simply stuns in her dual roles. Black Sunday is one of the greatest gothic horror films ever made!

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#3 PEEPING TOM

Directed By: Michael Powell

Peeping Tom has a particularly racy story for 1960. Peeping Tom is the story of Mark Lewis who murders women so he can capture on film their terrified expressions before death. Its voyeuristic nature is heavily emphasized and the film is as much psychological as it is horrifying. Carl Boehm plays it quiet and brooding and is outstanding as the awkward and unstable titular Peeping Tom Mark Lewis. This isn’t simply a film about a serial killer it is an in-depth character study and an intelligently written story that explores deeper issues than one would expect of the sub-genre. The film is a slow-burn but an extremely effective one. Peeping Tom is a dark, edgy, well-made film that was ahead of its time. Absolutely brilliant.

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#2 EYES WITHOUT A FACE

Directed By: Georges Franju

Eyes Without a Face is about Christiane who lives hidden from the world, shrouded by a white featureless mask that hides her horribly disfigured face. Her father is guilt-ridden plastic surgeon, Dr. Genessier. With the help of his assistant Louise, they lure young women in and surgically remove their faces in hope of successfully grafting the skin to his daughter. But one failed graft after another leaves a pile of bodies and little hope. Eyes without a Face is about vanity, guilt, obsession, depression and redemption. It is a tale that is as bizarre and bleak as it is beautiful. Eyes Without a Face is a visually stunning film; its sterile brightly lit surgeries, shadowy corridors, endless rooms and impressive set pieces. The “face removal” was very graphic for the time and still impresses. A strange and wonderful score compliments beautifully. Eyes Without a Face is a flawless, strikingly original, bleak and beautiful contribution to the horror genre.

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#1 PSYCHO

Directed By: Alfred Hitchcock

Truthfully, I don’t enjoy Psycho any more than the other films in this top five. As I mentioned in my introduction I gave all five of these films an identical perfect rating. Alas one of the films had to hold this spot and technically speaking Psycho is a flawless masterpiece. I am sure there is nothing I can add that hasn’t been said about Psycho before. If you are unfamiliar with Psycho’s story it revolves around a woman named Marion Crane who decides to leave town to start a new life with money she stole from her employer. Inevitably she must stop to rest and chooses the Bates Motel run by a socially awkward momma’s boy named Norman Bates. This does not end well for Ms. Crane whose disappearance does not go unnoticed. Psycho is a stunning film with a pitch perfect mood and atmosphere. Psycho’s real attraction for me is Norman Bates. Anthony Perkins gives a truly epic and iconic performance as cinema’s most infamous momma’s boy. Hitchcock constructed a truly beautiful, chilling, ground-breaking film that has a firm place in horror history.

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THE SKULL (1965) – The Dungeon Review!

Posted in horror, movies, UK with tags , , , , , , , , , , , , , on October 30, 2012 by goregirl

Amicus Production’s The Skull directed by the great Freddie Francis is based on Robert Bloch’s (he of Psycho fame) The Skull of the Marquis de Sade. The film is quite literally about the skull of the Marquis de Sade. I have seen my share of cinema interpretations of the life and work of the Marquis de Sade;  Jesus Franco’s sex-fuelled Justine, Henri Xhonneux’s animated film Marquis, Peter Brook’s Marat/Sade, Philip Kaufman’s Quills and Pier Paolo Pasolini’s positively vile Salò, or the 120 Days of Sodom to name a few. If I can say one thing about films based on the Marquis and his work, it is that you never know what the hell you are going to get. The Skull is really quite unlike any of the aforementioned titles. Than again, the film is actually based on Robert Bloch’s fictional story not the actual writing and/or life of the Marquis.

Demonologist Dr. Christopher Maitland, purchases a flesh-bound book allegedly written by Marquis de Sade from shady dealer Anthony Marco. Marco promises to bring the doctor an even grander treasure. The next evening he arrives with the skull of the infamous Marquis de Sade. Cynical of its authenticity Dr. Maitalnd consults with his friend Sir Mathew Phillips who informs him that the skull was stolen from his collection and is indeed authentic. He also warns Maitland of the evil power the skull possesses and strongly urges Maitland not to make the purchase. The warning only serves to intrigue the good doctor who procures the curio for his collection.

The usual depravity, torture and weird sex of most of the Marquis-related stuff are non-existent in The Skull. The premise is that the Marquis de Sade was possessed by some manner of demon or perhaps Satan himself. The skull is prone to glowing green, bewitching its owner to do its bidding and hosting random satanic rituals. It goes without saying that the skull causes all manner of trouble for its newest owner Dr. Christopher Maitland. The effects are limited but there are some nice trippy psychedelic scenes that involve the skull doing things a skull just shouldn’t be able to do. These scenes are admittedly a touch on the hokey side but are nonetheless hugely entertaining! The Skull has a particularly lively and exciting opening scene where we are given a little background on how the skull became unattached from the Marquis’ body. The best scene in the film is one particularly effective nightmare sequence; it alone is worth checking this film out for! The Skull looks extremely well with its immense shadows, fabulous set pieces and tremendously fun POV shots.

Peter Cushing plays Dr. Christopher Maitland and brings the charm, class and talent he brings to everything he graces with his presence. This is definitely Peter Cushing’s film and he is pretty much on screen constantly after the opening bit. It goes without saying that this is a very good thing. The two major supporting roles are also strong with Christopher Lee who plays fellow collector Sir Matthew Phillips and Patrick Wymark as the shady (but not quite sleazy) peddler of art and antiquities.

Keeping in mind that The Skull is about a possessed skull the story is quite coherent and well-written. Freddie Francis’ The Skull is a well acted, great looking trippy film that is solid entertainment! Recommended.

Dungeon Rating: 3.5/5

Directed By: Freddie Francis

Starring: Peter Cushing, Patrick Wymark, Jill Bennett, Nigel Green, Patrick Magee, Christopher Lee, Peter Woodthorpe, Michael Gough, George Coulouris, April Olrich, Maurice Good, Anna Palk, Frank Forsyth

Goregirl’s Werewolf Project: THE BEAST MUST DIE (1974)

Posted in horror, movies, UK with tags , , , , , , , , on April 26, 2012 by goregirl

The second werewolf film to not make the top ten shortlist is Amicus Production’s 1974 film The Beast Must Die, directed by Paul Annett.

The film opens with the following statement:

This film is a detective story in which you are the detective.

The question is not “Who is the murderer?” but “Who is the werewolf?”

After all the clues have been shown you will get a chance to give your answer.

Watch for the werewolf break!

This is a very William Castle-like gimmick. I was a bit surprised to see such a thing in a film from 1972. It is rather hokey, but I like hokey!

The film’s central character is millionaire Tom Newcliffe whose goal is to hunt the ultimate game; a werewolf! The opening scene sees Tom himself being hunted which we learn was merely a test of the security system he just had installed. Tom has invited five guests to his grand home and believes one of them is a werewolf.

The Beast Must Die has a splendid cast! The great Peter Cushing is here as the werewolf expert, along with Charles Gray (The Devil Rides Out, The Rocky Horror Picture Show), Marlene Clark (Ganja and Hess, The Jezebels), Anton Diffring (Circus of Horrors, Seven Deaths in the Cat’s Eye, and Calvin Lockhart (Cotton Comes to Harlem). It has got a funky 70s soundtrack too! The premise is unique and a lot of fun and they use all the classic werewolf props like wolfsbane, silver and of course the full moon! They also beef up the werewolf lore with a whole lot of lycanthropy trivia courtesy of Peter Cushing’s character.

There are two reasons The Beast Must Die failed to be top ten material. The film has pacing issues and drags in spots but more significant was a disappointing werewolf and transformation. A brief glimpse of a furry hand, a furry face and than a big dog! Woof! I am all about the half-human, half-animal aspect of werewolves. A dog or even an actual wolf just doesn’t cut it for me. Despite these feelings, I found The Beast Must Die entertaining. There is some nice build-up to the werewolf break and the finale is quite energetic. Add a great cast and a funky soundtrack to the mix and you have a watchable, but flawed bit of 70s cinema! If you have seen and enjoyed any of Amicus Productions other films, particularly their anthologies, I suspect you will enjoy The Beast Must Die. Recommended.