Archive for james woods

Favourite Five Series: DAVID CRONENBERG

Posted in Canada, Favourite Five Series, horror, movies with tags , , , , , , , , , , , , , , , , , , , , , , , , , on March 3, 2014 by goregirl

David Cronenberg has forty director credits listed on IMDB; twenty-one of those credits are feature films. I have seen twenty of those feature films; Maps of the Stars has not yet been released. I think they outta start naming some Canadian monuments after David Cronenberg, or at very least a school or two. David Cronenberg Elementary; they can do a musical version of The Brood each year in his honor. Before compiling this list I went to the effort of seeing Cosmopolis, which I found Comme-ci, comme ça. It certainly wasn’t changing anything on this list. The only film I feel really strongly about from Cronenberg’s last decade of filmmaking is Eastern Promises. Don’t misunderstand, I have actually quite enjoyed Cronenberg’s entire body of work but it is his horror films that will always have a special place in my heart. Cronenberg’s early horror films are the perfect combination of the physical with the psychological. The term body horror or venereal horror has been used to describe his early genre films and an apt description it is. The term body horror basically represents a complete and graphic breakdown of the human body from any number of causes; disease, parasite, cerebral manifestation to note a few. Cronenberg’s films are complimented by strong stories, perfect casting, amazing performances and gag-worthy visuals. This was the easiest list I have ever put together; the only real struggle was leaving Dead Ringers off the list. As much as I love Dead Ringers and Jeremy Irons brilliant performance it is not a film that I revisit nearly as often as the five included below.

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VIDEODROME (1983)

Videodrome is about a struggling cable television station run by Max Renn. Renn is always on the lookout for programming not offered by the competition and shows soft-core adult films late nights. Renn is looking to step up his game and one night his engineer stumbles upon a grainy barebones production called Videodrome. Videodrome appears to be simulated snuff but as Max soon discovers it is all very real. Videodrome is more than torture, it is an addictive mental mindfuck with the ability to transform the human body. Videodrome is both a warning about the dangers of technology taking over our lives and our desensitization to violence. It also has really bloody amazing effects by Rick Baker that hold up as well today as they did back in 1983. Really ghastly and original stuff. Despite a mainstream cast and major distribution Cronenberg holds back nothing and creates a gritty, disturbing and uncompromising film. James Woods is pitch-perfect as station owner Max Renn. Woods Renn character is cocky, tactless and intense; watching him lose his grip on reality is Shakespearian. Deborah Harry was an impeccable choice as Nicki Brand; she is sexy, kinky and completely believable in the role. Renn has a sexual relationship with Brand who becomes drawn into Videodrome and eventually becomes one of its victims. Videodrome is without a doubt my favourite David Croenberg film and one of my favorite horror films of all time. “Long live the new flesh!”

Videodrome3

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THE BROOD (1979)

The Brood is about Nola Carveth who is being treated by Psychotherapist Dr. Raglan. Dr. Raglan is using an unconventional treatment called Psychoplasmics. The method encourages the patient to work through their emotion until it physically manifests itself. Nola has become a primary focus of Dr. Raglan’s therapy due to her extraordinary adaptation. Nola receives weekend visits from her daughter Candy important to her therapy; but after her ex-husband Frank finds Candy bruised and scratched he puts an immediate end to the visitations. Shortly after, Nola’s abusive mother is found brutally murdered. Even more disconcerting they discover the dead body of a mutated child who appears to be the one responsible for the death. The ability to materialize your anxiety, fear or anger would be a pretty unsettling ability to have. I can’t imagine what mad nastiness my mind would concoct! The little mutant children featured in The Brood are creepy as hell. The effects are impressive and the makeup on the mutant kiddies is beautifully grotesque. Large groups of children in snowsuits scare me to this day. One of my favourite scenes in the film takes place in a kindergarten class with a bunch of child actors who probably grew up seriously traumatized thanks to Cronenberg. The best visual effects assault however is courtesy of Nola Carveth in the film’s finale. You can find pictures of it all over the place, but I am not going to be the one to spoil it for you. It really is freaking spectacular! Another top-notch cast that includes legend Oliver Reed who plays Dr. Raglan with charisma, strength and authority, the exquisite Samantha Eggar who plays Nola Carveth with disturbed psychosis, rage and a touch of empathy, Cindy Hinds who plays Candice Carveth a quiet, solemn little girl with an adult-like numbness that is chilling and Art Hindle who plays the voice of reason Frank Carveth. Mood and atmosphere, well paced, steadily building tension, amazing effects and stunning performances; The Brood is a suspenseful, intense and chilling experience.

The Brood

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NAKED LUNCH (1991)

Naked Lunch is loosely based on William S. Burroughs’ novel of the same name. Cronenberg turns the story into a semi-autobiographical account of Burroughs life. Characters are based on Burroughs real life acquaintances Jack Kerouac, Allen Ginsberg, Joan Vollmer and Paul and Jane Bowles. Bill Lee is an exterminator whose wife Joan is addicted to the insecticide he uses to kill bugs. Bill too is affected by the substance which causes him to have severe hallucinations. So severe are his hallucinations that Bill believes he is a secret agent for an organization called Interzone and is assigned tasks by a giant insect! Although I included Naked Lunch on my top ten horror film list for 1991 it really is not a horror film; although Cronenberg definitely includes horrifying images in the film. There are some downright gross visuals that are on par with any of the horror films on the list. As noted, Cronenberg never intended his film to be a straight up adaptation of Burroughs book but I think he does a superb job of capturing the general vibe while maintaining a distinct David Cronenberg flavor. I love Cronenberg’s approach with the inclusion of facts from Burroughs fascinating life. The shooting death of Burrough’s girlfriend Joan Vollmer is worked into the plot of Cronenberg’s Naked Lunch. Burroughs says of the incident “I am forced to the appalling conclusion that I would have never become a writer but for Joan’s death”. Naked Lunch is a strange, hypnotic, and sublime trip into another world. The film is accented by some truly exceptional performances from Judy Davis, Roy Scheider, Ian Holm, Julian Sands and Nicholas Campbell and most notably Peter Weller who plays Bill Lee. When I think of the most iconic acting roles of the past few decades Weller’s Lee is one of the first that comes to mind. Naked Lunch has withstood countless viewings and always leaves me feeling a little disoriented but awestruck. It is truly a one of a kind experience that, like a lot of Cronenberg’s films, elicits strong opinions of love or hate; I happen to think it is a masterpiece. “Exterminate all rational thought. That is the conclusion I have come to.”

Naked Lunch

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RABID (1977)

Rabid focuses on Rose, the victim of a serious motorcycle accident. Rose becomes the beneficiary of a radical surgery performed by Dr. Keloid involving tissue grafting. The surgery has an unexpected side effect in the form of a vagina-like orifice in her armpit that craves human blood. Rose runs amok in an effort to sate her cravings. Rose’s feedings not only cause bodily harm but they infect her victims causing them to go into a rabid state and attack and infect others. Doctors in horror movies have caused so much mayhem over the years haven’t they? If Rose had been taken to a regular hospital instead of a plastic surgery clinic none of this would have happened. Needless to say the infection spreads like wildfire and martial law is declared. The infected move quickly and attack viciously; fortunately they are easy to kill. The effects are solid although Rabid is not especially graphic. Rose’s armpit vagina is the film’s coolest effect and it is quite a unique one too! There are some particularly well-executed action sequences. My favourite is a scene that takes place in a mall during Christmas time and a security guy goes on a crazy shooting spree and kills Santa! Another scene that takes place on a subway is also delightfully chaotic. Marilyn Chambers does not speak much in her role as Rose but she is lovely and intense and a pleasure to behold. Chambers brings a good balance of strength and vulnerability to Rose. Frank Moore is natural and likable as her boyfriend Hart. Rabid is well-paced with evenly distributed violence throughout. Rabid is smart, well-written, intense and seriously entertaining.

Rabid

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THEY CAME FROM WITHIN (1975)

They Came from Within aka Shivers is about an experiment conducted by Dr. Emil Hobbes using parasites. The parasites cause the patient to have an overwhelming sexual appetite. Hobbes implants his girlfriend Annabelle with the parasite who is living in The Starliner a self-contained, exclusive high-end condominium. Annabelle quickly spreads the parasite throughout the building. Hobbes then kills his Annabelle and himself and the case is closed. Meanwhile residents of the building are getting sick and parasites are running loose and attacking the residents. The condominiums on-site Doctor Dr. St. Luc uncovers information about Hobbes research and tries to contain the parasite in the Starliner condominium, but will it be too late? Shivers is an intense, intelligent, claustrophobic tale full of sexuality and violence. Shivers opens with the death of a very young woman by the hands of a middle-aged man who then cuts his own throat. The next bit of yuckiness comes from a resident named Nick who leaves work early feeling sick. He vomits out a parasite and it is not long before all hell breaks loose in the enclosed space of the condo. The violent and deviant scenes to follow are unique and effective in that very special Cronenberg sort of way. Shivers has sex, nudity, incest, violence and even cannibalism. There is a ton of crazy shit going on here! Repulsive, erotic, nasty, “even dying is an act of eroticism”. As is the case with all the films on this list there are great performances here from Paul Hampton as Dr. St. Luc, the feline-esque Lynn Lowry as Nurse Forsythe, Allan Kolman as Nicholas Tudor, Susan Petrie as Janine Tudor, Joe Silver as Rollo Linsky and Barbara Steele as Betts. Cronenberg creates an excellent mood of paranoia and includes plenty of subtle and not-so-subtle commentary on contemporary 70′s culture. Shivers was Cronenberg’s first horror film and is one of his best.

shivers

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AustinChef Reviews VIDEODROME (1983)

Posted in Canada, horror, movies with tags , , , , on January 22, 2010 by goregirl

I saw this movie for the first time in 1985 when I was 14. My buddy’s older brother gave me a really crappy, grainy VHS cassette with a horrible sound track; BUT it was the uncut version (and as it goes, watching this flick on a grainy VHS is pretty appropriate). Now it’s 2010 and not only is Videodrome one of my all time favorite movies, but I think its writer-director Cronenberg’s best movie, and I think it’s one of the strongest genre flicks ever made.

I must admit that after I saw this the first time I had no friggin’ idea what the hell was going on. What I could piece together in my still very innocent mind was that kinky sex stimulates the growth of some organ in your head that will help evolve you into “the New Flesh”??? What the FUCK?? By this time I had already seen Cronenberg’s Shivers (1975), Rabid (1977), and The Brood (1979) and was a bona fide huge fan of Cronenberg. I was familiar with his theme of “body horror” found in most of his movies, but Videodrome was just way over my 14 year old head. At first I simply wrote it off as one of his mistakes but noticed that after a few days I couldn’t get it outta my mind. There was something so gritty and disturbing about the story and its’ images that I couldn’t stop thinking about it. I really wanted to understand what Cronenberg was trying to tell me. So I rented it (but this time got the R-rated version) and watched it over and over again. And over and over again. Suddenly I realized not only did I absolutely love Videodrome and believe it to be his best movie yet, but I started to understand the story. It’s bizarre, no doubt, but it is “Cronenberg Bizarre.”

The story: James Woods’ character, Max Renn, is one of the owners of a crappy little cable station called Civic TV (which is named as a tribute after City TV, an actual television station which started out in Toronto and was infamous for showing soft-core sex films as part of its late night programming line-up). In order to compete against bigger stations, Renn knows they need to offer something viewers can’t get on any other station. So they air some soft-core porn late at night. But Renn is getting bored by the soft-core porn; it’s too tame for his tastes and he believes his viewers want something with more teeth (pun intended). In one scene an Asian porn producer, played by David Tsubôchi, tries to sell Renn some porn for the station, but Renn turns him down telling him how boring and predictable it is. Tsubôchi went on to become a Minister in the Ontario provincial government, and his role here as a pornographer was exploited by the opposition. Ya gotta love politics; the opposition was trying to use Tsubôchi’s ROLE as an ACTOR from a FICTIONAL movie as a true representation of how he really is. Pathetic. And people wonder why I submerge myself in horror movies. Anyway …

One night the station’s engineer, who has a knack for video piracy and “breaking into’ other broadcaster’s signals, comes across a grainy TV showed called “Videodrome.” The production values are practically nothing (a woman is chained up in a bare room getting beaten), but best of all it’s the kind of program “with teeth” that Renn has been looking for. So he hires the local “strange lady,” Masha, who has ties to the underworld to track down “Videodrome” for him. She finds it and tells him to leave it alone:

Masha: Videodrome. What you see on that show, it’s for real. It’s not acting. It’s snuff TV.
Max Renn: I don’t believe it.
Masha: So, don’t believe.
Max Renn: Why do it for real? It’s easier and safer to fake it.
Masha: Because it has something that you don’t have, Max. It has a philosophy. And that is what makes it dangerous.

I’m not sure about this fact 100%, but this might just be the first big-studio genre flick (it was distributed by Universal Films) to talk about snuff films!! From here on out the film gets very bizarre, very gory, and very “I can’t take my eyes off of this.” I don’t wanna get into much more of the plot, but it’s a crazy ride for sure folks. This is the kind of film that divides audiences: Either ya love it or hate it!!

Any horror fan worth their weight in gore needs to see this flick; if nothing else for the special f/x by Rick Baker. These are some truly amazing, disgusting, disturbing, and groundbreaking f/x: We see a TV come to life and watch James Woods “make out” with it; we get to see a living, breathing “vagina” in Woods’ stomach (in which he sticks a gun into); we see a TV screen explode into a mess of blood and guts; and we get to see a man shot by a “tumor gun” and whose body erupts into a ton of tumors as he dies horribly. These are just a few examples of some of the amazing work Baker does here.

Cronenberg definitely has his “body horror” theme here (stronger than ever, in fact) but he also adds the dimension of a very layered and detailed story. This movie is so much more than the sum of its (amazing) f/x; it’s trying to tell us something. It’s an early warning in the days before personal computers became so invasive in our daily lives and about the dangers of technology and retreating into that technology and away from actual interpersonal contact. It also predicts and tries to warn us about the connection between technology and violence (this in fact is the point of the movie, I believe). There’s so much violence on TV every day that it’s taken for granted and we have essentially become desensitized to it. A certain group in the movie takes advantage of this fact and exploits it:

Harlan: North America’s getting soft, patron, and the rest of the world is getting tough. Very, very tough. We’re entering savage new times, and we’re going to have to be pure and direct and strong if we’re going to survive them. Now, you and this cesspool you call a television station and your people who wallow around in it, your viewers who watch you do it, they’re rotting us away from the inside. We intend to stop that rot.

All the performances here are top notch. This is actually one of my favorite performances by James Woods (Woods’ even refers to his role in Videodrome in an episode of Family Guy). Woods plays his typical, trademarked really intense character. He starts off very arrogant and cocky, but as he watches more and more of the “videodrome” signal and his body begins to evolve into something new, he loses his grip on reality and begins to question everything.

Some may think that with its high ideals and philosophical views that this movie gets a little pretentious at times. I never got that feeling. This is a brilliantly written, “deep” genre movie that challenges you to understand what’s going on. I do categorize this as “philosophical horror”, but I give this movie that label with respect. Plus there are so many scenes of absolute depravity and gore that it’ll knock your socks off and remind you that you’re watching a genre flick … and a damn good one at that!! Deborah Harry, the singer Blondie, also puts in a fantastic performance as Nicki Brand. She becomes aware of “videodrome” through Woods and not only becomes obsessed with it, but tracks it down, appears on it, and becomes one of its victims!! She adds the perfect amount of kink and depravity here. When she and Woods are fooling around she coyly asks, “Wanna try a few things.” This’ll send a shiver down your spine. It seems to me that Cronenberg left the ending wide open for a sequel, and I for one am really upset he never continued this story. I’d love to see the new world inhabited by “The New Flesh.” Don’t miss this one. I love every second of this movie. This one will get under your skin and you’ll think about it long after you turn off your cathode ray box.

Director: David Cronenberg
Rating: 5 out of 5 stars
Gore: 9 out of 10 skulls
Zombie Mayhem: 0 out of 5 brains