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Anti-Film School’s 3rd Annual Halloween Horror Movie Spooktacular: Cinq Monstres Féminins

Posted in horror, movies with tags , , , , , , , , , , , , , , , , , , , on October 21, 2013 by goregirl

Antifilm School 3rd Annual Halloween Horror Movie Spooktacular

When Steve from Anti-Film School asked me if I wanted to contribute a list of my five favourite movie monsters the first thought that came to mind was Toho. I did a month-long feature on the Japanese production company Toho and covered a few of the studios monster flicks. It would be pretty simple to compile a list of five of my favourite Toho monsters. Godzilla was the first horror film I ever loved. If it is easy it isn’t worth doing, right? Who the hell said that anyway? I thought I should challenge myself and at the same time come up with five titles that were lesser known. What variety of monster seems to get less love? By Georgette; I’ve got it! Female monsters! I am bringing the “girl” in Goregirl to the table for my favourite movie monster list; Cinq Monstres Féminins (Five Female Monsters).


Cinq Monstres Féminins

Delphine Seyrig as COUNTESS BATHORY in Harry Kümel’s 1971 film DAUGHTERS OF DARKNESS.

Daughters of Darkness

A newly married couple’s lives are forever changed after meeting a countess while staying at a beautiful old hotel.


I could have easily filled this list with five female vampires. There are countless brilliant performances in the sub-genre by women. The sexy, smart, seductive female vampire. Both men and women fall under her spell and oh, what a way to go! One of the absolute sexiest, smartest and most seductive of them all is the immensely talented Delphine Seyrig’s Countess Bathory. The infamous Countess Elizabeth Báthory who allegedly tortured and killed hundreds of women and bathed in their blood to maintain her youth. The Countess arrives with her assistant as the sun is setting at the nearly abandoned hotel; only the newlyweds to keep her company. She quickly acquaints herself with the couple and sweet sadism soon follows. Daughters Of Darkness is a sexy, stylish and psychological trip where violence and eroticism reign. The beautiful locations adds an old world charm to the contemporary setting as does its Countess. Countess Bathory seems to have come from another time, another century perhaps. As sophisticated as she is nasty; a chic, sexual, hungry beast. Delphine Seyrig is outstanding as the sophisticated, powerful and brutal creature. One of the most elegant movie monsters of all time; Seyrig is a class act.


Aurora Bautista as MARTA and Esperanza Roy as VERONICA in Eugenio Martín’s 1973 film A CANDLE FOR THE DEVIL.

A Candle for the Devil

Marta and Veronica run an inn in a tiny Spanish village where sexy, young female guests check in but don’t check out.


Marta and Veronica are two sisters with repressive attitudes guided by religious principles who believe they are doing god’s work. At least that is what Marta, the more dominant of the two believes. Marta takes the accidental death of a female tourist tanning topless on their rooftop as a sign that they are to punish women of loose morals. Veronica is the subservient sister and goes along with Marta regardless of her comfort level. Veronica is having an affair with a young man who works for them and is twenty years her junior. She refuses to get completely undressed during these trysts for moral reasons. Marta has no such outlet for her sexual frustrations and was once engaged to be married until her fiancée ran off with a younger woman. Marta is a severe woman who is not easy to like. Is she a monster though? Blinded by her jealousy and hatred for other women she uses religion as an excuse to murder. Despite Veronica also being blinded by her religion (and an accomplice to her sister’s crimes) it is clear she is not comfortable with Marta’s decisions. The sisters are a fascinating pair and their escapades are complimented by all manner of religious imagery and expression. In one of my favourite scenes, Marta is spying on some young men swimming and runs guilty through thorny bushes arriving home lashed, bleeding and breathless; frantically she washes and scrubs the sin from her flesh. Aurora Bautista and Esperanza Roy who plays Marta and Veronica do one hell of a job! Although these are two huge personalities they are played with a great deal of restraint. A Candle for the Devil is stylishly filmed with gorgeous scenery but it is all about the sisters who use their religion as an excuse to murder nubile young beauties who are unfortunate enough to end up as guests in their inn.


Meredyth Herold as DAUGHTER and Michele Valley as MOTHER in Nikos Nikolaidis’ 1990 film SINGAPORE SLING.

Singapore Sling

A private eye is searching for a woman named Laura, and follows the trail to the home of an incestuous, sadomasochistic mother and daughter team.


If ever a film deserved the tag of polarizing it is Nikos Nikolaidis’ 1990 film Singapore Sling. There is more unsavory sex acts in this thing than you can shake a stick at. The comedy and the black and white photography do take some of the edge off, but I doubt this film is going to be palatable for most people. The women are killers, but they are far more interested in exploring the lines between pain and pleasure. Prepare yourself for shock therapy, water torture, golden showers, vomit orgasms and excessive amounts of masturbation. Mother looks like a silent movie star and has a flare for dramatics. She speaks her dialog in French and translates herself in English. Despite Daughter’s actions she comes off as slightly naive and is in a constant state of pre-orgasm. Singapore Sling is partially narrated and Mother and Daughter often speak directly to the camera. Mother and Daughter are pleasure monsters. They will do anything in the name of sating themselves regardless of the results. They torture each other and the male guests who end up in their home. Mother and Daughter are definitely the most sexually depraved monsters on this list. Mother played by Michele Valley and Daughter played by Meredyth Herold both give bold and fascinating performances. They are monsters of a different variety; a delightful mix of degenerate and class. You’ll be glad the film is black and white (it is a really great looking film also) as there is stuff on display here that you would not want to see in color.


Béatrice Dalle as LA FEMME in Alexandre Bustillo and Julien Maury’s 2007 film INSIDE.


A woman about to give birth is terrorized in her home by a mysterious psychotic woman.


Béatrice Dalle is the mysterious psychotic woman. Her intentions are simple; to take by force the baby inside of her victims stomach. La Femme as she is noted in the credits, is just straight up nuts. She kills a lot of people and barely breaks a sweat over it. Sarah the woman due to give birth unsurprisingly receives some visitors and La Femme barely seems phased by it. Oh well, more people to kill. She doesn’t care who she kills and she doesn’t care how many. She doesn’t really even go to any trouble to be careful about the whole business. She is tough, relentless, brutal and extremely sober for a woman who is completely and utterly psychotic. Béatrice Dalle is a talented and appealing actress who is a fascination to watch. Dalle’s performance is easily one of the most driven and brutal portraits of a psycho I’ve seen in a film from the past 20 years. Watching a very pregnant woman being terrorized is nasty business but the audacity of showing the action from the fetus point of view wins it a whole lot of extra respect. This however is Dalle’s movies, she owns it like she owns that adorable little fetus in Sarah’s belly.


Nobuko Otowa as YONE and Kiwako Taichi as SHIGE in Kaneto Shindô’s 1968 film KURONEKO.


Yone and her daughter-in-law Shige are gang raped, murdered and their home set ablaze by a group of samurai. The women return from the dead as vengeful spirits whose sole purpose is to kill and drink the blood of every last samurai.


Kuroneko takes place during wartime and its opening scene illustrates the brutality of the period. The way the samurai swarm the women’s home was like wild animals stalking their prey. Once inside they raid the home of food and then each one takes their turn raping the women. The horrific scene is a strong argument for the women’s revenge but negotiating with the spirit world comes with a high price. The women are the focus of every shot. Their light ethereal appearance made everything around them appear darker. Kuroneko’s dream-like visuals are enhanced by beautiful and subtle touches like Yone’s slow rhythmic dance and Shige’s cat-like attacks. Kiwako Taichi is bewitching as Shige. Bound by her pact, Shige is a seductive and vicious spirit but the woman she once was lingers inside. Nobuko Otowa is superb as Yone. Yone is a strong, serious spirit who methodically goes about her rituals. Her unusual eye makeup gave her an appropriately menacing appearance. Yone seems to have considerably less connection to who she was and is more the vicious for it. Revenge is rarely sweet. Kaneto Shindô directed another film focusing on a pair of women during wartime called Onibaba which I highly recommend you check out if you enjoy Kuroneko; the two are great companion pieces.


A CANDLE FOR THE DEVIL (1973) – The Dungeon Review!

Posted in horror, movies, Spain with tags , , , on May 23, 2010 by goregirl

A Candle For The Devil is an interesting little Spanish offering that explores the rather popular theme of religion gone amuck. Anti-religious sentiment was pretty commonplace in horror films from Europe in the 60’s and 70’s, which is just one more reason why I love the films from this period. I should warn you that this film might be more readily available in North America under the title It Happened At Nightmare Inn. From what I understand there are versions of this film that are heavily edited and may be missing entire scenes. I would recommend doing a little research before picking this one up.

A Candle For The Devil is about Marta and Veronica, two middle-aged sisters who run an inn in a tiny Spanish village. When Laura Barkley arrives at the inn to meet her sister Loreta she is told by the two women that she checked out. Needless to say, Judy is concerned about her sister but doesn’t immediately suspect the two innkeepers. Marta eventually shares her feelings with Laura about her sister Loreta’s inappropriate attire and questionable morals. The more she learns about the duo the more suspicious she becomes. When another female guest of the inn also “checks out” suddenly Laura becomes convinced that the sisters are up to no good. After an infuriating exchange with Marta, Laura decides to find lodgings elsewhere. But when she spies a new female guest with a baby her concern overwhelms her and she is compelled to act. The tiny town doesn’t even have a police station so she speaks to the mayor. But without proof, there isn’t much the mayor can do. When this newest guest also disappears Laura takes it upon herself to do some sleuthing.

A Candle For The Devil was made in El Paular, Madrid, Spain. What a stunningly gorgeous locale! I definitely have to see Spain in person one day! The architecture is fascinating and it all looks so wonderfully worn down by time. A great setting for our delightful little tale! The two sisters with their repressive attitudes guided by religious principles believe they are doing the lords work. More accurately, Marta, the dominant of the two sisters believes this, and she always knows what’s best. Marta takes the accidental death of a young female tourist who was sunbathing on the roof topless, as a sign that they are to punish such women of loose morals who end up as guests at their inn. Veronica is the subservient sister and although she doesn’t agree with everything Marta says and does, she obeys her nonetheless. Veronica is having an affair with a young man that works for the two who is twenty years younger. She refuses to get completely undressed during these trysts for moral reasons. Marta has no such outlet for her sexual frustrations and was once engaged to be married until her fiancée ran off with a younger woman. Marta is a severe woman that is not easy to like, but she is not portrayed as a monster, which allows her actions to have a greater impact. I actually felt a lot of empathy for Veronica, who although blinded by religion and an accomplice to her sister’s crimes knows what they’ve done, is very wrong and is overwhelmed by guilt. The sisters are a fascinating pair and are definitely the films greatest asset. Their escapades are complimented by all manner of religious imagery and expression. In one of my favourite scenes, Marta is spying on some young men swimming and runs guilty through some thorny bushes arriving home lashed, bleeding and breathless, frantically washing and scrubbing the sin from her flesh.

The adorable Judy Geeson is very likeable and is quite good as Laura, but this one really is about the two sisters. Aurora Bautista and Esperanza Roy who plays Marta and Veronica do one hell of a job! Although these are two huge personalities they are played with a fair amount of restraint that doesn’t allow the performances to get campy. Really the entire film is about restraint. The film is subtle and isn’t nearly as exploitative as similar films from the decade. Admittedly, I found this just a wee bit disappointing being a huge fan of that type of thing. I do enjoy a little bit of hysterics in my anti-religious imagery. There is very little nudity and violence and what exists is not very graphic. I’ve come to expect a certain amount of hoopla from Horror coming out of Spain, but I guess it is a little juvenile of me to expect everything to be Paul Naschy-like! Director Eugenio Martin also directed one of my very favourite Christopher Lee and Peter Cushing vehicles Horror Express and turns out another very respectable outing with A Candle For The Devil. The film is very stylish and looks great aided considerably by the spectacular scenery. The only real issue I had with the film would be the ending. I actually quite liked the final scene but it seemed ridiculously rushed! The film is evenly paced throughout but then is tied up in a matter of minutes in a far too brief climax. A Candle For The Devil is a great looking film with an intriguing story and excellent performances. Highly Recommended.

Dungeon Rating: 4/5

Directed By: Eugenio Martín

Starring: Judy Geeson, Aurora Bautista, Esperanza Roy, Víctor Alcázar, Lone Fleming, Blanca Estrada, Loreta Tovar, Montserrat Julió