Goregirl’s TOP 10 Favourite Horror Films From 1964

IMDB listed 194 titles for 1964; 68 of which were full-length feature films. I seen 33 of the 68 films listed. There were multiple television shows listed including; The Twilight Zone, The Munsters, The Addams Family, The Outer Limits and Estudio 3. 1964 was a solid year with an interesting range of titles. I gave the top three films on this list a 5/5, spots four and five rated 4.5/5 and the final five were rated 4/5. I also rated two other films 4/5 which were Lady in a Cage and Mothra Vs. Godzilla.



Directed By: Roger Corman

I will be most curious at the end of this project to see if any actor has more entries on the top ten 60s lists than Vincent Price. He already has five titles and there are three more on this list! Bloody Hell!! Will Peter Cushing or Christopher Lee give him a run for his money? Stay tuned! In The Masque of the Red Death Vincent Price plays a devil-worshipping Italian Prince by the name of Prospero. A woman in a small village has died of the Red Death and the prince orders the entire village burned. He takes with him an innocent and striking young woman and imprisons her father and lover. It is the prince’s intention to corrupt the young woman and win Satan’s favour. Within the castle walls cruelty and debauchery abound but are they safe from the Red Death? Those gorgeous, good enough to eat sets, props and costumes are here in abundance. The film is not without the odd campy moment but is generally a serious affair. Prince Prospero is an insidious, power hungry tyrant who rules with an iron fist. He is lacking morality and is devoid of compassion for any human being. Vincent Price gives the evil prince a subtle flair. Hazel Court is great as Juliana. She is ready to give herself over to the devil and is in the films nastiest and trippiest scene. Patrick Magee and Skip Martin also give formidable performances. The Masque of the Red Death is packed with memorable scenes full of delicious cruelty, amazing sets and costumes and superb performances. The Masque of the Red Death’s richly decadent world full of depravity and evil will keep you enthralled to the final credits.



Directed By: Sergio Corbucci & Antonio Margheriti

Danza Macabra was directed by Sergio Corbucci and Antonio Margheriti. I know Corbucci for his Westerns; he did one of the best with his 1966 entry Django! Margheriti has directed a real mixed bag of bizarreness, but I have certainly enjoyed some of his stuff particularly Naked You Die and Cannibal Apocalypse. I wanted to give a special mention to his film Long Hair of Death which was also released in 1964 and like Danza Macabra stars Ms. Barbara Steele. Although it didn’t make the shortlist (I rated it 3.5/5) it is definitely worth seeing. Of Margheriti’s library Danza Macabra, also known as Castle of Blood is my favourite. Danza Macabra is about a writer who accepts a wager to spend All Souls Night in an allegedly haunted castle. If you are following this project than the name Barbara Steele should already be familiar to you; this is the fourth film in which she stars to make a top ten list. Steele’s character is one of the dead that comes back on All Souls Night and she chews up the screen. The equally sultry Margarete Robsahm although not afforded nearly enough screen time also shines brightly in Danza Macabra. Both women are fascinating and gorgeous; unfortunately the men are not their equals. The brawny groundskeeper dude is literally laughable! Georges Rivière who plays the man who accepted the wager did not have particularly good chemistry with Steele. Rivière wasn’t selling it in his love scenes with Steele, although he was quite acceptable otherwise. Danza Macabra is heavily visual and was captivating enough to overcome this lesser attribute. It is slower paced but I never found it dull. Its cadence was quite hypnotizing actually. There is a lesbian subtext and some brief nudity in the version I watched; rare qualities for a film from 1964! It also has one hell of a killer score by Riz Ortolani! Danza Macabra is loaded with atmosphere and chills and has an absolutely fantastic finale. A gorgeous gothic treat!



Directed By: Robert Aldrich

Hush…Hush Sweet Charlotte features a cast of legendary actresses; Bette Davis, Olivia de Havilland and Agnes Moorehead. Bette Davis plays the titular Charlotte but it is Olivia de Havilland that owns Hush…Hush Sweet Charlotte! She is polite, classy and refined which makes her so much more interesting when she goes bitch-o-rama! She really is a great character and steals every single scene she is in! Joseph Cotton really stands out also; I just loved that accent (which I am badly imitating as I type this out) and he has great chemistry with Ms. de Havilland; I really enjoyed their scenes together. Of course Davis and Moorehead are great also, although I did find Moorehead’s character a little over the top. The story is solid and most intriguing with a finale that definitely did not disappoint! Hush…Hush Sweet Charlotte opens with Charlotte as a young woman and relays to the viewer the horrific and grisly death of her married lover. We meet Charlotte again as a reclusive elderly woman haunted by the past and being threatened with eviction. I certainly would not qualify Hush…Hush Sweet Charlotte as gritty by any means, but it was grimmer than I expected it to be. The film suits its black and white photography and has an effective moodiness throughout. Hush…Hush Sweet Charlotte is a nifty sordid little affair with an outstanding cast and a well-executed story expertly shot by the talented Wise. Bitch-slapping fun and frights!



Directed By: Roger Corman

The Tomb of Ligeia is yet another Roger Corman-Edgar Allan Poe adaptation starring Vincent Price! There has been at least one on every single year’s top ten list thus far! I think it is safe to say I am a fan. Vincent Price sure has an interesting look going on in this one…I rather dug it man! Price plays Verden Fell who still mourns the death of his long dead wife Ligeia. He catches the eye of The Lady Rowena Trevanion and the two are eventually married. When their honeymoon is over…boy is it over! Once they get back to Fell’s dilapidated mansion in the Abbey crazy disconcerting events begin to happen immediately. Fell’s cool crumbling manor in the Abbey is just the absolutely most perfect setting! I love so many of the little details Corman includes in The Tomb of Ligeia. The beautiful black cat used to excellent eerie effect, the freaking fantastic dream sequence, and the weird little hypnotism scene are particularly memorable visuals that really dazzle! The lush sunniness of its many daylight outdoor scenes is almost overwhelming in contrast with the spooky dark shadows of the inside of the manor. The Tomb of Ligeia also has an excellent story based loosely on Edgar Allan Poe’s story Ligeia. Elizabeth Shepherd plays dual roles as both Lady Rowena Trevanion and Lady Ligeia and is enchanting. I really like the duality of the Fell character; sinister and intense, sad and almost a little pitiful. The Tomb of Ligeia is a neatly-paced, beautifully-acted, well-filmed chillingly enchanting tale!



Directed By: Herschell Gordon Lewis

This is the second film from Herschell Gordon Lewis to make a top ten list. His horror features have an undeniable trashy vibe with cheap, ugly, simple sets, scantily clad women and of course the gore he is so famous for. While I would still call Two Thousand Maniacs trashy, it is without a doubt the cleverest of Lewis’ stories. A tiny Southern town of 2000 citizens lure tourists to their yearly centennial celebrations where the tourists are made unwilling participants of the event. You see, the townsfolk are pretty steamed about some union troops who once decimated their town. The story, although not without its plot holes is engaging but of course the best thing about Two Thousand Maniacs is its creative deaths and gore! Every victim dies a unique and quite dastardly death. I won’t spoil all the fun for you, but can you imagine being rolled down a hill in a barrel that has been hammered full of nails? That has gotta smart! I love it! I thought the gore was quite well done for the most part. I thought the wacky twist ending was great! The acting is almost as painful as those aforementioned nails, but some of it sure is funny! The townsfolk are all pretty over the top and the victims don’t react in the horrified manner they should. Two Thousand Maniacs has a decent pace, a unique story, inspired deaths, nasty gore and laughs!



Directed By: José Mojica Marins

No horror fan should go without seeing the exploits of Coffin Joe! You are warned by an old gypsy woman not to watch At Midnight I’ll Take Your Soul! She tells you to go home before it is too late! Don’t listen to her! Ignore her mad cackling! Be brave my friends and take the strange, depraved and entertaining journey into the wondrous world of Coffin Joe! Coffin Joe is an undertaker who wears a cape and top hat and sports gnarly razor-like fingernails. Embittered with life, he is arrogant, depraved, and violent and is an all around nasty guy. He scoffs at society’s laws and is willing to rape, steal and kill to get what he wants. A run in with Coffin Joe could result in a severe beating, loss of fingers, gouged-out eyes and possibly death! This misanthropic character full of disdain and malevolence is one of the most unique horror villains out there. At Midnight I’ll Take Your Soul is quite violent and graphic for its time. Its visuals are pretty ingenious considering the budget Marins had to work with. The black and white photography and the use of shadows help set the beautifully oppressive mood. But the real cherry is the film’s climax. Admittedly At Midnight I’ll Take Your Soul is a little light on plot, but Coffin Joe and his theatrics are more than interesting enough to carry the film. José Mojica Marins is both director and central character Coffin Joe and creates a truly dastardly villain and an extremely effective atmosphere. At Midnight I’ll Take Your Soul is a cult cinema classic from Brazil that is not to be missed!



Directed By: Ubaldo Ragona & Sidney Salkow

The Last Man on Earth is based on Richard Matheson’s book I Am Legend; the story of one man’s survival in a world where everyone is dead or has been transformed into a blood-thirsty monster. We watch as Dr. Robert Morgan awakes to another day three years in to his solitary existence. Morgan is driven solely by the instinct to survive. His day to day existence involves discovering where the creatures that stock him at night lay during the day. Although they look an awful lot like zombies Morgan stakes them to death and burns their bodies. Sometimes he picks up supplies; fuel, food, mirrors, wood for stakes. We also learn through flashbacks the terrible circumstances of his family’s demise. This beautifully filmed black and white creeper drips with atmosphere and desolation; roads littered with dead bodies and abandoned cars as far as the eye can see. And there is the night. The vampires come to Morgan’s door in droves, moaning incessantly and hungrily banging to get inside. It is hard to ignore some of the similarities visually to Romero’s 1968 film Night of the Living Dead. Every last minute of The Last Man on Earth is eerie and perfectly executed with just one ever so brief scene that was a bit clumsy. The Last Man on Earth is an absolutely superb film with a wonderful, hopeless, and understated performance from Vincent Price.



Directed By: Masaki Kobayashi

 Kwaidan is an anthology of four supernatural tales; Black Hair, The Woman in the Snow, Hoichi the Earless, and In a Cup of Tea. It is hard to choose which of the segments my favourite is as all four are brilliant. Kwaidan is three hours long so if you can’t get down with a leisurely pace you might want to pass. You would be missing out on a hell of a film though! Black Hair is the story of a man who leaves the wife he loves for a wealthy woman. He is unhappy in his new marriage and returns to his former wife; but not without consequences. The Woman in the Snow is about a woodcutter who becomes stranded in the snow and is visited by a malevolent spirit who spares his life if he agrees never to speak of their meeting. Hoichi the Earless is about a blind musician living in a monastery who is forced to play a ballad for ghosts who are draining his life energy with every performance. In a Cup of Tea a writer tell us about the mysteries found reflected in a cup of tea. All four of Kwaidan’s segments are wonderfully unique, stylish and well-acted. Kwaidan’s imaginative use of color really stands out among the films of this period. The sets, props, costumes and effects are quite astonishing! As I said, it is difficult to choose a favourite from the quartet, but I think I would have to go with The Woman in the Snow. While nothing in the quartet can top the visuals of the Hoichi the Earless segment, there is a poetic and lyrical vibe about The Woman in the Snow that I find utterly captivating. Kwaidan is without a doubt one of the best anthologies ever made. It is one of the most beautiful and haunting films I have ever seen. Kwaidan is an incomparable masterpiece.



Directed By: Mario Bava

The maestro of the macabre Mario Bava has yet another entry in the top ten. Bava’s The Girl Who Knew Too Much came out the previous year and is considered to be an influential predecessor to Italy’s Giallo period of the 1970s. In Blood and Black Lace Bava fine-tunes the idea. Blood and Black Lace is a straight-up Giallo y’all! Drug dealing, blackmail and murder in the world of Haute Couture with copious suspects, red herrings, and twists galore! Blood and Black Lace is heavy on style. Even the opening credits are spectacular! The heavy use of mannequins on the set is brilliant and unsettling. Unmoving eyes witnessing daily depravity! The deaths are effectively grisly and creative. It serves up its share of intense moments and suspense. The performances are solid, especially Eva Bartok! A unique and wonderfully trashy soundtrack compliments it all perfectly. Blood and Black Lace is my plastic fantastic lover! I really dig this film’s groove and its delectable 60s fashions! I could watch Blood and Black Lace with the sound off and love it just as much! If you have never seen a Giallo Blood and Black Lace is a great place to start. A classic.



Directed By: Kaneto Shindô

Onibaba was included in a video I did recently of my ten favourite Japanese horror films and has long held a position on my top 100 best of all time. It is somewhat misleading to call Onibaba a horror film. Onibaba takes place in 14th century feudal Japan and focuses on the hardships of those left behind. Specifically a mother and daughter-in-law who eke out a living by killing soldiers and selling their possessions to the local trader. While certainly an unsavoury way to make ends meet the horror doesn’t really surface until the final quarter of the film. Onibaba is a stunning visual experience with sexual, surreal and haunting imagery that nibbled away at my brain, burrowing deep into my subconscious. The frank nudity, the night time walks through reeds, the heartless killing of the soldiers, the sleazy lair of the trader and the quirky but perfect complimentary score; Onibaba is special for those reasons and so many more! And when the film goes all horror on my ass in that final quarter it is absolutely sublime. Onibaba is definitely slow-paced but is not tedious for a second. It is masterfully acted with spare dialog and fascinating characters. Onibaba is a beautiful, bleak, chilling tale full of symbolism and unforgettable imagery that completely and utterly kicks my ass!


27 Responses to “Goregirl’s TOP 10 Favourite Horror Films From 1964”

  1. You are awesome : ) I generally hate movies from the 60s (and voted for you to do another decade) but this has been a very fun thing you’ve done here : )

  2. Need to see Danza Macabra and those Japanese titles right away. Cool list!

    • Yep…you sure do sir. I desperately need the soundtrack to Danza Macabra!

      • Can you believe I’m still writing that review I mentioned yesterday? I’m so delirious right now that I’m giggling over the stupidest things. I keep this up and I might as well send it to the BBC to get published as a monograph. I’d tell you to call Dr. Kevorkian, but he’s dead.

        • Stop that giggling and get back to work you! Is it writer’s block or you can’t stop writing?

          • I can’t stop writing. And I want to finish it! I had four hours of sleep yesterday, and I’ve been at it nearly all friggin’ day! My friend went to see Holy Motors without me—can’t say I blame him. At least he brought me some carrot soup. And it was really good.

          • I really wanted to see Holy Motors…it was the closing film at our festival this year but I couldn’t make it. I love a good carrot soup. I had dim sum with my friend Lucy. I am not entirely sure how I feel about dim sum. Sometimes you get one that just really tastes…off. Okay…Focus man…FOCUS!

          • Oh! I didn’t tell you but I’m reviewing a remake. I actually did watch the original off of YouTube in between feeling my mind turning into mush today. It’s the only damn movie I’ve seen this weekend. And the remake is much better!

          • A remake that is MUCH better the original?!! Is it horror? Because that sir, is a VERY short list.

          • Nope. Not a horror movie.

          • Thanks for the chat on Saturday. Got it done and it came out well—and LONG!

          • When are you posting…just had a peek at your wordpress blog…I’m dying of curiosity!

          • I sent the review half to Todd at http://forgottenfilmcast.wordpress.com/ on Sunday night, at 11pm. It’s part of a Crush-a-thon series (“forgotten” or lesser known titles which stars the author’s celebrity crush) that he’s starting on Thanksgiving. Mine’s going to be posted next Thursday, on the 29th. My best friend and harshest critic told me that it was my best work! I’m waiting until then to post an accompanying piece on my blog, which will reveal a connection in theme between that film and my new project; and I’ll be letting out more details about my new Western as I make further progress. Most exciting thing recently, Ken Russell’s widow Lisi Tribble gave me her blessing—she loved the idea of a Russell-inspired Western. Can’t wait to tell you what the story is about!

          • I look forward to reading your review! Tell me what your story is about NOW! NOW! NOW!

  3. Another rip snorting,humdinger of a top ten list! And once again I’ve seen all ten films and five of them on the big screen. I think I might be in the “old timer Gore Girl fan” category. I love all ten selections. Tomb of Ligeia turned out to be the swan song for the Corman/Price/Poe films,but what a series it is. Hush…Hush Sweet Charlotte is one of my all-time favorite movies. A marvelous cast of familiar faces. Joan Crawford started the film,but was replaced by Olivia De Havilland. Blood and Black Lace I watch at least twice a year. Stylish,visual feast. The Last Man on Earth will forever be my favorite version(I do like The Omega Man remake,too) and one of my favorite Vincent Price performances,although like Peter Cushing and Christopher Lee,I love Vincent in everything!

    • I read that Crawford was originally cast and it was to be a companion piece to What Ever happened to Baby Jane. Honestly, I think Olivia de Havilland was an inspired choice, it would have been a completely different character with Crawford. It has been a little nuts with the Vincent Price films! There are only a couple more Price films I can think of that might make the lists going forward. There will be more Lee and Cushing though…guaranteed…there is at least one on my 65 list anyway.

  4. Two great Japanese horror movies in the top three. I’m going to re-watch Kaidan for Christmas and I’m going to buy Onibaba and Kuroneko to replace old VHS copies.

    So much Vincent Price… Anyway, I can’t remember Edgar Allan Poe’s stories being as raunchy as you and these films make them sound!

    • I just seen another Japanese 60s horror film called Daimajin…I loved it! It is a giant monster sorta thing (giant statue actually), which I know you aren’t fond of…but this one is a real dandy! Yeah, I’m Price crazy…guilty as charged! Haha-these Poe adapts are definitely “LOOSELY” based!

  5. […] Poster for 1964′s Two Thousand Maniacs (via the fabulous Goregirl’s Dungeon) […]

  6. […] second in the Coffin Joe series; the follow up to At Midnight I’ll Take Your Soul which was #5 for 1964. The evil Coffin Joe returns to his hometown much to the local’s dismay. Along with his hunchback […]

  7. […] – overall rating 48 1963 – overall rating 47 1960 – overall rating 46 1964 – overall rating 44.50 1967 – overall rating 42.5 1962 – overall rating 42 1966 – overall rating 41 1961 […]

  8. […] Anyway, the first half of 2013 has some exciting announcement starting in February with a Blu-ray release for Kaneto Shindo’s Onibaba which is an atmospheric historical horror film. To give you an indication of how good it is, Goregirl really loved and named it her best horror film of 1964. […]

  9. […] not love a director whose nickname is the Godfather of Gore? Mr. Lewis’ films Blood Feast and Two Thousand Maniacs made my top ten lists for 1963 and 1964 respectively. I am also particularly fond of Something […]

  10. […] Ever Happened to Baby Jane?, Hush…Hush, Sweet Charlotte (which made my favourite ten list for 1964), The Dirty Dozen and an intriguing looking title I just learned about recently via My Kind of […]

  11. Great to see a nice dose of Pricey in there, and Coffin Joe ❤ Fantastic titles all!!

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