THE CURSE OF THE CAT PEOPLE – The Dungeon Review!

Posted in USA, horror, movies with tags , , , , , , , , , on December 8, 2009 by goregirl

The sequel to yesterday’s film ‘Cat People’ came packaged on the same disc. Although it features the three main characters from the first film, it really is a sequel in title only. Apparently the film became a very personal project for Val Lewton. Much of this film mirrors Lewton’s own life. Apparently more than just a little Lewton lies in the father/daughter characters of Oliver and Amy Reed.

‘Curse of The Cat Woman’ finds Oliver now married to Alice. The two have a six-year-old daughter named Amy. But their prodigy is troubled. She is a loner who is easily lost in her own imagination. The other kids don’t like to play with Amy because she is easily distracted and ruins their games. Alice and Oliver are concerned about their daughter, as any parent would be. But Oliver is deeply worried by Amy’s similarities to his first wife Irena, who’s life came to a tragic end. Amy wants to be a good girl and please her parents but making friends is not easy. She attempts to play with a trio of girls who run away from her. As she chases after them she comes upon an old house where a woman is calling to her and tosses a ring to her from a window. When the family servant suggests it might be a wishing ring, Amy whole-heartedly embraces the idea. She wishes for a friend, and her wish is granted. Unfortunately it is a friend only she can see and it happens to be her father’s dead first wife Irena.

Where ‘Cat People’ was definitely Simone Simon’s film, ‘Curse’ definitely belongs to Ann Carter who plays Amy Reed. In fact, Simon has a relatively small part and doesn’t appear until half way through the film. Ann Carter is excellent as Amy and gives a nice natural performance. The fact that she is adorable doesn’t hurt matters. One of my favorite scenes involves Amy chasing a butterfly during a field trip. A classmate offers to help her catch it and sweeps it into his hat, inadvertently killing it in the process. Amy looks him square in the eye and slaps his face. This incident, in fact is the catalyst that moves the film forward. Parents Alice and Oliver are called in to the school to discuss Amy with her teacher, Miss Callahan.

They bring back an actress who had a very brief, but memorable moment in the original, known only as “cat woman”. In the original film her voice is dubbed over by Simone Simon as she utters only the word “sister” in her mother tongue. In this film she plays Barbara, the daughter of Julia Farren. She speaks with no accent and there is no indication that she is from Irena’s home country of Serbia. Julia refuses to acknowledge that Barbara is her daughter and believes her to be nothing more than the woman who takes care of her. It is Julia who gives the wishing ring to little Amy and the two become friends. This inspires considerable jealousy from the unloved and lonely Barbara. It seems clear that they included the character to illustrate the possibility that Amy could share a similar fate when she is older. I actually had empathy for Barbara. I guess Mr. Lewton did too. In the original ending Barbara’s lonely existence ends on a sour note, with her being carted away to an insane asylum. Val Lewton re-shot this scene after the production was completed and I personally loved his revised ending.

‘Curse of The Cat People’ is not a horror film. It is a psychological study of a lonely child living in a dream world. It is more drama than anything, but certainly the fantasy aspect is strong. The wishing ring and the appearance of the dead Irena could be written off as the hearty imagination of a child. But a subtle supernatural angle exists in other places as well, like the door in the Farren’s home which seems to be conveniently locked to everyone but Barbara. Certainly the films finale that sees lights flickering, could be credited to the storm, but it stops instantly when Barbara no longer feels angry.

I had some issue with the Alice character in this film. Oliver has become a stronger man, but still seemed a bit awkward around the women in his life. Alice, now a full-time mother and housewife takes over as the wishy-washy character. She says nothing about a picture, taken from Irena’s apartment that now hangs in their home. There is dialog early where Oliver states that Amy could be Irena’s daughter, which does not evoke the response I would expect from Alice. At one point in the film, Amy finds a picture of Irena in a drawer. Oliver can’t seem to completely let go of Irena, although it has been at least six years since her death. She doesn’t exactly confront Oliver about the pictures, but diplomatically suggests he not leave them around. I realize back in the day, you obeyed your husband, but that isn’t Alice’s style. In the previous film Alice is a strong, intelligent, independent woman.

The film was marketed with the tagline “The Black Menace Creeps Again!”. Cleary RKO wanted to cash in on the success of the first film. Only the subtlest of nods to its cat origins exists. There is a black cat in a tree observed by some school children, Irena’s oil painting that hangs in the Reed’s home, and a statue of a cat with a bird in its mouth in the Farren’s parlour. Otherwise, the film is pretty much cat-free. This was a very personal film for Val Lewton that reflects his own childhood and his relationship with his own daughter. As a horror film and a sequel to the original, ‘The Curse Of The Cat People’ fails. But as a film unto itself, it is an intriguing study of a lonely child. Recommended.

Dungeon Rating: 3.5/5

Directed By: Gunther von Fritsch, Robert Wise

Starring: Simone Simon, Kent Smith, Jane Randolph, Ann Carter, Eve March, Julia Dean, Elizabeth Russell, Erford Gage, Sir Lancelot

CAT PEOPLE – The Dungeon Review!

Posted in USA, horror, movies with tags , , , , , , on December 7, 2009 by goregirl

Thanks to 366 Weird Movies who suggested I check out the films of producer Val Lewton. I picked up a Lewton double feature with ‘The Cat People’ and ‘The Curse of The Cat People’. I can’t wait to check out more films from this troubled but fascinating man who had a fear of cats. There will be more on Mr. Lewton with my review of ‘The Curse Of The Cat People’. It’s amazing what you can learn when you rewatch a film with commentary!

Irena, new to the city and friendless, meets Oliver Reed who she invites over for tea. She tells Oliver the story behind her strange statue of a man on a horse brandishing a sword impaling a cat. She is haunted by a myth from her small Serbian village that suggests her people are witches and that strong emotions could change them into panthers. Living in the shadow of this curse she believes her passion for Oliver will turn her into one of the cat people. Dismissing her fears, Oliver will have none of it, and so the two get married. But her fears continue and their marriage is troubled, complicated further by a female co-worker who happens to be in love with Oliver.

Oliver is instantly mesmerized by Irena’s beauty, but barely gets a chance to know her before they are married. Her strange story didn’t seem to faze him, but then again, he is portrayed as a man who is naive in the ways of love and women. It doesn’t take long for the marriage to break down. Complaining that everything has always been just honky-dorey for him, he has no idea how to deal with being unhappy. There were a few “poor Oliver” scenes where he is left on the wrong side of closed doors in his unconsummated marriage. Normally I would be put off by pairing up a fairly wishy-washy character with one as intriguing as Irena. But it actually works quite well here. Helping to beef things up is Alice, Oliver’s smart and confident female co-worker and friend. Alice admits to Oliver that she is in love with him. She actually seems genuine in her intentions and wants the best for Oliver. During a scene where the two are having coffee at their favourite haunt, she sends Oliver home to his new wife to work things out, referring to herself as “The new type of other woman”. This makes for a fascinating dynamic. In the end, it is strong emotion, jealously in fact, that brings out the cat woman in Irena.

Simone Simon is excellent as Irena. She is beautiful and sultry, yet sweet and almost child-like. It is easy to understand how Oliver falls instantly in love with her. Kent Smith brings a naive charm to the character of Oliver and Jane Randolph totally sells it as the intelligent and confident Alice. Also along for the ride is Tom Conway, who plays psychiatrist Dr. Louis Judd who attempts to treat Irena. He does a nice job playing it mildy quirky and just a bit sleazy. As the film moves along we learn the doctor’s intentions may be less than admirable.

The love triangle can be a dangerous thing, as Alice finds out in two of the film’s most suspenseful moments. The scene where she is walking home alone at night is spectacular. Also impressive is her scene in the swimming pool. It is amazing what can be achieved with the power of suggestion. You never actually see what is stalking Alice and this fear of the unseen really adds to the intensity. In fact, there are two scenes where you do get a glimpse of a cat that I felt were considerably less effective.

The atmosphere is pure perfection and I loved the use of all the cat paraphernalia. The sketch Irena tosses on the ground in the zoo when her and Oliver first meet makes for some excellent foreboding. It also felt appropriate that she sports a long fur coat for most of the film. I adored each and every scene where she visits the panther cage. Particularly poignant is the scene where she cannot resist bringing kitty a treat. There are countless subtle little scenes that are extremely effective, too many to mention. The use of shadow throughout the entire film is a visual treat. It is what you don’t see that makes ‘Cat People’ a truly amazing film. The mood is tight throughout. Even though there are a couple of scenes toward the end that I felt didn’t meet the high standards set by the rest of the production, it didn’t really hurt the overall feel. ‘Cat People’ is a truly outstanding film. Highly recommended!

Dungeon Rating: 4.5/5

Directed By: Jacques Tourneur

Starring: Simone Simon, Kent Smith, Tom Conway, Jane Randolph, and Jack Holt

Les yeux sans visage – EYES WITHOUT A FACE – The Dungeon Review!

Posted in France, horror, movies with tags , , , , on December 6, 2009 by goregirl

We borrowed the Criterion Collection version of ‘Eyes Without A Face’ from the library (I really do love my library). It’s a beautiful, clean, sub-titled version with some pretty cool extras. The most fascinating of the additional material is Franju’s 1949 short documentary ‘Blood of the Beasts’ about the slaughterhouses of Paris. This documentary was extremely difficult to watch. I literally had to look away on several occasions. Films are pretend, but with that said, death or violence against animals is something I have low tolerance for even in fiction. This here is the real deal. This is a blunt and brutal display of the facts. After all, if you eat it, why the hell shouldn’t you have to watch it be slaughtered? An absolute must see extra if you rent this version. I wonder if Franju knew how his film was being marketed in the US? In the disc’s extras ‘Eyes Without A Face’ is shown being double-billed under the name ‘The Horror Chamber of Dr. Faustus’ along side ‘The Manster’. The Manster looks super hokey! Half-man, Half-monster! Don’t get me wrong, it looks like it could be good for some laughs but come on! It has no business being billed with ‘Eyes Without A Face’! This film kicked my ass! I freaking loved it! So the rest of this review will be me pouring all over this film, so you may want to grab a bucket.

Christiane lives hidden from the world, shrouded by a white featureless mask that hides her horribly disfigured face. Her father is guilt-ridden plastic surgeon, Dr. Genessier. With the help of his assistant Louise, they lure young women in and surgically remove their faces in hope of successfully grafting the skin to his daughter. But one failed graft after another leaves a pile of bodies and little hope.

Don’t we all wear a mask? At the very least, most of us attempt to hide our imperfections from the world. ‘Eyes Without A Face’ is about vanity, guilt, obsession, depression and redemption. It is a tale that is as bizarre and bleak as it is beautiful. How the hell could I not have seen this film until now? This one really is a stunner. Visually this film is most impressive. Some scenes are brightly lit and sterile while others are washed in shadows and completely surrealistic. The props are amazing. The huge old estate is awesome and the multiple rooms, hidden staircases and concealed doors make for a maze-like setting. Dr. Genessier keeps several dogs, as well as white doves in wrought-iron cages which he uses for experiments. And in the same wing of the house is his surgical room, where he kills women and experiments on his daughter. There is a scene where they remove a woman’s face that is extremely impressive. They have scissors holding down skin all around the face and Dr. Genessier cuts slowly and precisely with a scalpel. With extreme care, he pulls the face off. I was surprised by the brutal but matter of fact way they go about this scene, particularly gory for a film from that time. There are many other wonderful, unexpected scenes in ‘Eyes Without A Face’.

Dr. Genessier is the cold as ice Doctor who at times seems to be completely devoid of human emotions. Christiane seems more like a science project than a daughter at times. He is not the eccentric mad doctor often portrayed in old horror films. His monstrous tendencies are well hidden behind a mask of respect and authority in which a man of his calibre commands. During an awkward family dinner while Christiane is wearing her lovely new face her father suggests “Smile dear…but not too much.” The man does not exude a lot of warmth. His malevolent assistant, Louise has been a benefactor of his plastic surgery skills, wearing a multiple strand pearl choker to cover the scar. Aesthetically she exudes no deformities or abnormalities, hers are all internalized. She feels an obligation to help the doctor, meticulously planning how she will make contact with women, and get them to Genessier’s estate. The real focal point of the film is Chrisiane. Her character is an inspired visual. Thin as a pole and pale like a ghost. Delicately gliding through their massive home wearing that featureless white mask. Her mind is a prison she wants to escape. Death is friendlier than a mirror.

It was her father Dr. Genessier, who had been the driver of their vehicle when the accident occurred, that caused Christiane’s facial disfigurement. It was perhaps out of guilt that he had first removed the face of a young woman, but the success of a graft clearly became on obsession. In one peculiar, but effective sequence we literally see snapshots of Christiane’s deteriorating new face over various time periods, narrated by the doctor. Each female sacrifice equals another failed grafting experiment. With each failure Christiane becomes more solemn. Her sad eyes are the only life that emanates from the white featureless death mask. In the end it is all too much for Christiane. Which finally leads us to one of the most striking finale’s ever to grace a horror film. It is like some twisted and demented version of Snow White.

‘Eyes Without A Face’ kept me mesmerized from beginning to end. Even the musical score is perfect. Cheerful, yet twisted circus music with a hint of malice. I don’t go throwing this word around, but “masterpiece” is appropriate here. This amazing film stayed with me for days after seeing it. A strikingly original, bleak and beautiful contribution to the horror genre. Highest possible of recommendations!

Dungeon Rating: 5/5

Directed By: Georges Franju

Starring: Pierre Brasseur, Alida Valli, Juliette Mayniel, Edith Scob, François Guérin, Alexandre Rignault, Béatrice Altariba

THE MONSTER SQUAD – The Dungeon Review!

Posted in USA, horror, movies with tags , , , , , on December 3, 2009 by goregirl

I thought it might be nice to take in a little lighter fare for a change. ‘Monster Squad’ positively screams 80’s, but it also lovingly acknowledges the classic monsters. It seemed like a good way to kick off my Classic Horror Month. As I’ve commented in previous blog entries, I definitely need to bulk up my horror knowledge where it relates to pre-70’s films. I went to the library and picked up a whole mess of classics. ‘Dracula’, ‘Cat People’, ‘Eyes Without a Face’ and ‘Faust’, among other titles. For the rest of the month of December I will be reviewing only films made before 1970.

Count Dracula has returned to retrieve an ancient amulet that will give him ultimate power. He has called upon The Wolfman, The Mummy, Creature From The Black Lagoon and Frankenstein’s monster to give him a hand. The only thing standing between them and their goal is a group of horror film obsessed boys who call themselves ‘The Monster Squad’.

The story is actually pretty good. It’s relatively coherent for a story about five legendary fictional monsters that battle with twelve year olds. The dialog is snappy and is pretty funny at times. There is no question this film was made for the pre-teen set, leaning heavy towards the boys, but I would imagine there are others like myself who could find plenty to enjoy here.

Why Dracula thought it was a good idea to send Frankenstein’s monster to retrieve Van Helsings notes from the kids is beyond me! Everyone knows he is a big softy! Of course he makes friends instantly with little sister Phoebe, which wins her instant access to the all-boys monster club. The kids in the cast are all very likeable and there is even an adorable beagle in the gang. Also quite entertaining was “scary German guy” who helps them translate Van Helsings notes. I do have a minor beef with the Horace character though. Horace is the overweight friend who’s always gnoshing away on something. You can’t watch a kid’s movie without seeing this guy in it. In this one his nickname is “fat kid”. “Fat kid”, really? That is one shitty nickname to give a friend! But at least he gets a chance to use a piece of garlicky pizza to get them out of a jam. He also gets to kick wolfman in the nards.

The monsters look quite good, although wolfman’s face is a bit owl-like. Creature from the Black Lagoon was particularly cool! The effects in general are pretty good and don’t look overly dated. Count Dracula looked the part, and he drove a cool black hearse with a skull hood ornament, but he was a rather unexciting chap. Considering he was the monster with the most dialog, they could have made him a little more dynamic.

There sure as hell is no mistaking you’re watching a film made in the 1980’s. Other than the hair and clothes there is the ever-popular musical montage. They sure did love their musical montages in the 80’s! What is a musical montage you ask? Well it is a collection of small clips set to music intended to advance the story in a short amount of time, generally no longer than the length of one song. There is a particularly painful one in this film with the kids readying themselves for their monster battle, set to a truly awful, knife-in-my-head bad 80’s song. I generally detest musical montages, but they are practically to be expected from 80’s films, especially in family-friendly fair.

This “PG” rated, creature feature has a lot of heart. There is some light swearing, smoking, talk of virginity and a body count, but for the most part it is good clean fun. ‘The Monster Squad’ is fast-paced, high energy and action-packed. I actually found the film to be a bit short, it seemed to end too quickly. I would say that is a pretty good sign the film kept me entertained. A great film to watch with the kids over the holidays, especially if you got boys in the house. Recommended!

Dungeon Rating: 3.5/5

Directed By: Fred Dekker

Starring: Andre Gower, Robby Kiger, Stephen Macht, Duncan Regehr, Tom Noonan, Brent Chalem, Ryan Lambert, Ashley Bank, Michael Faustino, Mary Ellen Trainor, Leonardo Cimino

Horror Happenings For December

Posted in Trailer, horror, movies with tags , , , , , , , , , on December 1, 2009 by goregirl

What a bleak selection of horror films coming out this month! Where is all the horror?! There are a couple of big Sci-Fi selections coming out on DVD including ‘Terminator Salvation’ today (December 1st) and ‘District 9′ on December 22nd. This month in the dungeon we’re saying screw new releases!

After Thursday’s review of ‘Monster Squad’ I will be reviewing only classics for the rest of the month of December. Well, actually, they won’t all be “classics”, but every last one will be a horror film released before 1970.

For your review, here are the horror selections coming to theatres and your local video store in December…

Cheers!
Goregirl

DECEMBER 4th

Transylmania – IN THEATRES
Directed By: David Hillenbrand, Scott Hillenbrand
Starring: Patrick Cavanaugh, James DeBello, Tony Denman, Paul H. Kim, Jennifer Lyons, Oren Skoog
“Euro-trashed! Euro-smashed! Euro-slashed!”
Spoof horror in which a group of college kids do a semester abroad in Romania and realise that if the partying doesn’t kill them, the vampires just might!
Goregirl’s Consensus: Could be fun, but not theatre price fun. I’ll wait for the DVD.

DECEMBER 8th

Walled In
Directed By: Gilles Paquet-Brenner
Starring: Mischa Barton, Cameron Bright, Deborah Kara Unger, Noam Jenkins, Eugene Clark
Recent engineering graduate Sam Walczak (Mischa Barton) travels to the middle of nowhere to supervise demolition of the mysterious Malestrazza Building. She soon comes face to face with the horrifying secrets of the building and its past inhabitants, many of whom were entombed alive within the walls of the pristine building by its obsessed architect. As Sam begins to unravel the clandestine details of the architect’s life and his astonishing building, she is drawn into the dark and frightening reality which forces her to accept her own dark past and turn the tables before she becomes the last victim.
Goregirl’s Consensus: The plot summary doesn’t really grab me. Smells like been there done that. A possible rental when it comes off the new release wall.

Red Mist
Directed By: Paddy Breathnach
Starring: Arielle Kebbel, Sarah Carter, Stephen Dillane, Andrew Lee Potts, Alex Wyndham
A young doctor in a US hospital administers a powerful and untested cocktail of drugs to a coma victim. But instead of curing him, it triggers a powerful “out-of-body” experience and enables the patient, a depraved and dangerous loner to inhabit other people’s bodies and, through them, take revenge on the bullying medical students who were accidentally responsible for his condition. The doctor, who was herself a part of this group, is also targeted and as her colleagues are singled out and relentlessly picked off, she realises that she can trust no-one, friend or stranger as this comatose killer moves in and out of bodies at will, getting ever closer as his murderous supernatural powers increase.
Goregirl’s Consensus: I was not too impressed with Breathnach’s film ‘Shrooms’. I gave it a failing grade, but there were a few entertaining moments. Read the review here. I am somewhat curious, but will probably wait until it is off the new release wall.

Carriers
Directed By: Alex Pastor, David Pastor
Starring: Lou Taylor Pucci, Chris Pine, Piper Perabo, Emily VanCamp, Christopher Meloni, Kiernan Shipka, Ron McClary, Mark Moses, Dylan Kenin, LeAnne Lynch
Determined to elude a deadly virus, Danny, his brother Brian, his girlfriend Bobby and Danny’s school friend Kate speed across the Southwestern U.S. to reach a place of possible safety. Over the course of four days, the group is faced with moral decisions that no human should ever be forced to face. They discover that their greatest enemy is not the microbe attacking humanity, but the darkness within themselves.
Goregirl’s Consensus: This one interests me. Looks like there could be some gore. Check out the trailer.

The Skeptic
Directed By: Tennyson Bardwell
Starring: Tim Daly, Tom Arnold, Zoe Saldana, Andrea Roth, Edward Hermann, Robert Prosky, Bruce Altman, Sara Weaver, Chris Silpigno, Lea Coco
Power-lawyer Bryan Becket is hard-pressed to believe anything that he can’t immediately explain. After his aunt’s mysterious death, he ignores reports that the elderly woman’s Victorian mansion is haunted, and moves in. Strange things start to happen in the old house, and Becket senses that there is some connection there to his troubled, violent past. When familiar ghosts start to reveal themselves, Becket turns to a coy medium and his loyal friend to help him explain the unexplainable.
Goregirl’s Consensus: Ghost stories made in North America just haven’t been doing it for me these days. This is the first I’ve heard of this title and I have to tell you, Tim Daly and Tom Arnold’s names are scaring me off more than the ghosts. I’m Unlikely to see this one, but who knows maybe I’ll catch it on TV if I ever get cable again.

DECEMBER 11th

The Lovely Bones – IN THEATRES
Directed By: Peter Jackson
Starring: Mark Wahlberg, Rachel Weisz, Saoirse Ronan, Susan Sarandon, Stanley Tucci
A young girl raped and murdered by a neighbour, watches over her family and her killer in the afterlife. She must weigh her desire for vengeance against her desire for her family to heal.
Goregirl’s Consensus: I enjoy Mr. Jackson’s films. I might actually go to see this at the theatre.

DECEMBER 15th

Psycho Ward
Directed By: Patrick McBrearty
Starring: Ryan Barrett, Jacqueline Betts, Nicole Bonin, Liam Card, Tim Clarke, Sabrina Couture
While on a research outing, a group of urban explorers get more than they bargained for when they visit the site of an abandoned mental hospital and discover it’s hiding a terrifying secret. Trapped in this giant prison, they start to disappear one by one. Their only chance to escape is to put together seemingly random clues, avoid a killer, and use their unique skills to survive.
Goregirl’s Consensus: Urban explorers? Mental hosptials abandoned or otherwise are creepy. Yet most films I’ve seen that take place in asylum’s seem to suck. Might be a rental when it is off the new release wall.

DECEMBER 22nd

Ghost Machine
Directed By: Chris Hartwill
Starring: Sean Faris, Rachael Taylor, Luke Ford, Joshua Dallas, Sam Corry, Richard Dormer, Jonathan Harden, Halla Vilhjálmsdóttir
In a special government facility, a group of candidates are selected to participate in a virtual reality training program. However, once the team is plugged in they encounter a deadly force that is set on destroying the team, one at a time. Now the team is being hunted by a ruthless killing machine and their survival skills will be put to the test.
Goregirl’s Dungeon: A killing machine huh? Sounds like trouble to me. A big maybe, but will probably wait for it to come off the new release wall.

DECEMBER 29th

A Perfect Getaway
Directed By: David Twohy
Starring: Steve Zahn, Timothy Olyphant, Milla Jovovich, Kiele Sanchez, Marley Shelton, Chris Hemsworth
Two pairs of lovers (Zahn & Jovovich, Olyphant & Sanchez) on a Hawaiian vacation discover that psychopaths are stalking and murdering tourists on the islands.
Goregirl’s Consensus: I sure wasn’t going to pay theatre price for this baby but I just might rent it while it is still a new release rental.

Jennifer’s Body
Directed By: Karyn Kusama
Starring: Megan Fox, Amanda Seyfried, Johnny Simmons, Adam Brody, J.K. Simmons, Amy Sedaris
“She’s evil… and not just high school evil.”
A newly possessed cheerleader turns into a killer who specializes in offing her male classmates. Can her best friend put an end to the horror?
Goregirl’s Consensus: I was tenatively getting passes to the sneak preview of this film, and when that fell through I couldn’t bring myself to pay theatre price. Now I’m not sure I even want to pay new release rental price. A definite maybe.